2 Omitting

Kapitel in diesem Buch

1. Frontmatter I
2. Preface V
3. Contents VII
4. I. Happenings and Story
5. 1 Assembling 3
6. 2 Omitting 10
7. II. The Nonnarrated in Short Fiction
8. 3 Lacunae and Implied Psychology in Aleksandr Puškin’s Belkin Tales 23
9. 4 Inverting the Detective Script: Karel Capek’s “Case of Dr. Mejzlík” 32
10. 5 Concealed Stories – Mansfield and Čexov 36
11. 6 Anton Čexov’s Open-Ended Stories 41
12. 7 James Joyce: Dubliners 49
13. 8 Katherine Mansfield: “The Woman at the Store” 53
14. 9 Nonnarration and Ornamentalization in Isaak Babel’s “Crossing the Zbruč” 55
15. 10 Robert Musil: “Tonka” 65
16. 11 Modes of Nonnarration in Ernest Hemingway 68
17. 12 William Faulkner’s Art of Nonnarration 79
18. 13 Bernard Malamud’s Mysteries 89
19. 14 Haruki Murakami: “Scheherazade” 92
20. III. The Nonnarrated in Long Fiction
21. 15 Fëdor Dostoevskij: The Brothers Karamazov 97
22. 16 Diegetic Narrator: Fëdor Dostoevkij’s Adolescent 108
23. 17 Omissions in Robbe-Grillet 114
24. 18 Conclusions: The Effects of Nonnarrating 133
25. Works Cited 141
26. 20 Index of Authors and Works 149