Home Literary Studies On the (Im-)Possibilities of Family Narratives in Times of Violence. Writing Family Novels after García Márquez: Roberto Bolaño, Héctor Abad Faciolince, and Pilar Quintana
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On the (Im-)Possibilities of Family Narratives in Times of Violence. Writing Family Novels after García Márquez: Roberto Bolaño, Héctor Abad Faciolince, and Pilar Quintana

  • Pablo Valdivia Orozco
© 2024 Walter de Gruyter GmbH, Berlin/Boston

© 2024 Walter de Gruyter GmbH, Berlin/Boston

Chapters in this book

  1. Frontmatter I
  2. Contents V
  3. Introductory Matter
  4. Family Constellations in Contemporary Ibero-American and Slavic Literatures 3
  5. Overview of the Volume 15
  6. 1 Transnational Relations/Constellations
  7. Horror, not Nostalgia. Socialism, Diaspora and Family in Cuban and Polish Post-Millennium Graphic Novels 27
  8. Family Riddles, Entangled Catastrophes, and Cultural Translation in Bernardo Kucinski’s K and Maciej Zaremba Bielawski’s The House with the Two Towers 63
  9. Merging Public and Private Identities: Topics in Twenty-First Century Portuguese Novels 81
  10. Memory, History, and the Fragmentation of Family: José Luís Peixoto’s Multi-Generational Novel Book 99
  11. 2 Transgenerational/Transtemporal Relations
  12. Transgenerational Trauma and Maternal Criticism in a Decolonial Perspective 115
  13. Entangled Temporalities and Symptomatic Revisions of the Family Archive in Gastón Solnicki’s Papirosen 131
  14. Old New Families and (Good) Old Magic Realism between Brazil and Czechia: Markéta Pilátová’s With Bata in the Jungle 147
  15. Autofiction, Transnationality, and Family Constellations in the Work of Eduardo Halfon 169
  16. Legacies of Repression and the Siege: Ol’ga Lavrent’eva’s Graphic Novel Survilo as a Family History of Trauma 189
  17. 3 Imagined Bonds, New Formations
  18. On the (Im-)Possibilities of Family Narratives in Times of Violence. Writing Family Novels after García Márquez: Roberto Bolaño, Héctor Abad Faciolince, and Pilar Quintana 209
  19. Transgenerational Imagery in Sofia Andrukhovych’s Novella Collection Old People 231
  20. “They are my family”: Cross-Border and Alternative Communities in Cuban Cold War Narratives 251
  21. ‘The More Blood Ties, the More Family.’ Deconstructing Biological Bonds in Sara Mesa’s The Family 269
  22. Notes on Contributors 289
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