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Autopoiesis as an Artistic Strategy
Frida Kahlo’s Plaster Corset with Hammer, Sickle, and Embryo (1950)
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Chapters in this book
- Frontmatter 1
- Contents 5
- Acknowledgements 7
- Turning the Mirror 9
-
Political and Institutional Contexts
- Asesinas del ángel del hogar 25
- Una puerta abierta a lo infinito 45
- On the Moral Degeneration of Distinguished Young Ladies 67
-
Transnational Networks
- Nests of the Underground 87
- A “Great Traveler” in Exile 105
-
Gendering the Narratives of Art History
- La abstracción subversiva 131
- Margarita Nelken 153
-
Revisiting Female Art Stories
- Lygia Pape 181
- Autopoiesis as an Artistic Strategy 207
- Contributors 229
- Image Credits 233
Chapters in this book
- Frontmatter 1
- Contents 5
- Acknowledgements 7
- Turning the Mirror 9
-
Political and Institutional Contexts
- Asesinas del ángel del hogar 25
- Una puerta abierta a lo infinito 45
- On the Moral Degeneration of Distinguished Young Ladies 67
-
Transnational Networks
- Nests of the Underground 87
- A “Great Traveler” in Exile 105
-
Gendering the Narratives of Art History
- La abstracción subversiva 131
- Margarita Nelken 153
-
Revisiting Female Art Stories
- Lygia Pape 181
- Autopoiesis as an Artistic Strategy 207
- Contributors 229
- Image Credits 233