Adiaphorie und Kunst
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Reimund B. Sdzuj
About this book
The book investigates theories dating from the 13th to the 18th century on the moral indifference of human action with a view to substantiating the hypothesis of a heterogeneous genealogy of the specifically modern concept of 'aesthetics'. Aesthetic discourse on art did not develop of its own self and in its own right but was essentially based on genuinely moral-theological concepts (or concepts evolving in the context of moral theology) relating to the eventuality of human action being adiaphoric in origin. Both in methodological terms and in conjunction with its subject, this study proposes an aetiology, rather than a pre-history, of aesthetic thinking.
Reviews
"This indispensable study provides a thorough and valuable examination of an important phase in the history of ideas and religion that is highly relevant for the development of modern aesthetic theory."
Sabine Mödersheim in: The Sixtheen Century Journal 3/2008
Topics
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i-iv
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Vorwort
v -
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Inhaltsverzeichnis
vii - I. Einleitung
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1. Problemstellung
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2. Einige neuere Thesen zur Herkunft und Entstehung der Ästhetik
45 - II. Mittelalterliche Lehrmeinungen zum Problem der moralischen Indifferenz menschlicher Handlungen
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1. Thomas von Aquino
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2. Johannes Duns Scotus
73 - III. Adiaphora und Adiaphorismus im 16. Jahrhundert
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1. Luthers ›anomistische‹ Adiaphoralehre
91 -
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2. Die interimistischen und adiaphoristischen Kontroversen
127 - IV. Die Zeit der altprotestantischen Orthodoxie
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1. Autonomia in adiaphoris
175 -
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2. Pietismus und Ästhetik
235 - V. Anhang
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1. Textanhang: Consilium de rebus adiaphoris (1549)
293 -
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2. Abkürzungen
305 -
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3. Sigla
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4. Bibliographie
309 -
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5. Personenregister
357
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