Adiaphorie und Kunst
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Reimund B. Sdzuj
About this book
The book investigates theories dating from the 13th to the 18th century on the moral indifference of human action with a view to substantiating the hypothesis of a heterogeneous genealogy of the specifically modern concept of 'aesthetics'. Aesthetic discourse on art did not develop of its own self and in its own right but was essentially based on genuinely moral-theological concepts (or concepts evolving in the context of moral theology) relating to the eventuality of human action being adiaphoric in origin. Both in methodological terms and in conjunction with its subject, this study proposes an aetiology, rather than a pre-history, of aesthetic thinking.
Reviews
"This indispensable study provides a thorough and valuable examination of an important phase in the history of ideas and religion that is highly relevant for the development of modern aesthetic theory."
Sabine Mödersheim in: The Sixtheen Century Journal 3/2008
Topics
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I. Einleitung
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II. Mittelalterliche Lehrmeinungen zum Problem der moralischen Indifferenz menschlicher Handlungen
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III. Adiaphora und Adiaphorismus im 16. Jahrhundert
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91 |
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127 |
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IV. Die Zeit der altprotestantischen Orthodoxie
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V. Anhang
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