The Conditions of Reception in the Theatre: Psychological and Psychoanalytical Approaches

Chapters in this book

1. I-X I
2. What Is »Performance Studies« Anyway? 1
3. The Conditions of Reception in the Theatre: Psychological and Psychoanalytical Approaches 13
4. On the Epistemology and Pragmatics of Intercultural Theatre Studies 31
5. Sociocultural Performance Analysis 45
6. Ethnoscenology: The Flesh is Spirit 61
7. Intercultural Performance: Barter, Cultural Exchange and Reception 83
8. Exchanging Lies and Creating Truths: Intentionality in Moroccan Marketplace Performance 97
9. Desiring Methodology: Performing Postcolonial Theatre Anthropology in Pakistan 111
10. Versatile Venues and the Displacement of the Globe 127
11. Virtually There: Computer-assisted Reconstructions of Ancient Theatrical Spaces 143
12. Audiences and Response-Programming Research and the Methodology of the Implied Spectator 159
13. Watching Another, Viewing Theatre: Questions for Audience Reception and Cross-Cultural Performance 175
14. Narratives and Metanarratives in Dance Analysis 189
15. Using Lexicons for Performance Research: Three Duets 205
16. Performance Analysis Through Field Research: The Guerrilla Theatre in Greece Under Nazi Occupation 217
17. Methodological Issues in the Documentation and Analysis of Grotowski’s Art as Vehicle 239
18. Notes on Contributors 257
19. Index 263