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The ground of semiosis: An implied theory of perspectival realism?
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Vincent M. Colapietro
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Chapters in this book
- Frontmatter I
- Preface V
- Contents VII
- Citations of Peirce's works XI
-
Part 1. A general theory of signs: Its possibility and purpose
- General theories, vague utterances, and fruitful inquiries 3
- The philosophic significance of Peirce’s theory of signs 19
- Vagueness, generality, and undeciding otherness 33
- The Grand Vision 45
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Part 2. Peirce’s conception of semiosis: Presuppositions and articulations
- Peirce’s conception of habit 71
- Information and the metaphysical status of the sign 79
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Part 3. The components of semiosis
- The object of semeiotic 93
- Object and final cause in Peirce’s semeiotic 103
- Antetension, indexicality, and possible worlds 119
- The ground of semiosis: An implied theory of perspectival realism? 129
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Part 4. The classification of signs
- Peirce’s second classification of signs 143
- Peirce’s doctrine of symbol 161
- Symbol, ritual and cognition 173
- Index and icon revisited 181
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Part 5. The semiosis of metaphor
- Peirce and the interaction view of metaphor 193
- From pure icon to metaphor: Six degrees of iconicity 205
- On the neglect of Peirce’s views on metaphor in current theories of iconicity 215
- Peirce’s definition of metaphor and its consequences 229
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Part 6. Semiotics and aesthetics
- Aesthetic and artistic semiosis: A Peircean perspective 239
- Peirce on fiction: Introduction to an author-orientated semiotics 251
- Literary art: Meaning as a sign of possibility 263
- Arguments about icons 273
- Othello and Iago: Twins or opponents? On identity in literary semiotics 283
- Visual semiotics versus pragmaticism: Peirce and photography 295
- Music as icon: A critique of twentieth century music semiotic 315
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Part 7. Philosophy, linguistics and semiotics
- Sign structure and sign event in Saussure, Hjelmslev, and Peirce 329
- Relating European structuralist semiotics to American Peircean semeiotic 339
- Peirce and medieval semiotics 351
- Peirce and Derrida: From sign to sign 365
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Part 8. Semiotics and hermeneutics
- Peirce and hermeneutics 381
- Hermeneutic aspects in the light of Peirce’s methodology 391
- A word is not a sign: Hermeneutic semiotics and Peirce’s “Ethics of terminology” 399
- Peirce’s pragmatic maxim and K.-O. Apel’s idea of a contemplementary hermeneutical science 415
- Peirce, pragmatism, and interpretation theory 429
- The construction of a Peircean hermeneutics 441
- Index 451
Chapters in this book
- Frontmatter I
- Preface V
- Contents VII
- Citations of Peirce's works XI
-
Part 1. A general theory of signs: Its possibility and purpose
- General theories, vague utterances, and fruitful inquiries 3
- The philosophic significance of Peirce’s theory of signs 19
- Vagueness, generality, and undeciding otherness 33
- The Grand Vision 45
-
Part 2. Peirce’s conception of semiosis: Presuppositions and articulations
- Peirce’s conception of habit 71
- Information and the metaphysical status of the sign 79
-
Part 3. The components of semiosis
- The object of semeiotic 93
- Object and final cause in Peirce’s semeiotic 103
- Antetension, indexicality, and possible worlds 119
- The ground of semiosis: An implied theory of perspectival realism? 129
-
Part 4. The classification of signs
- Peirce’s second classification of signs 143
- Peirce’s doctrine of symbol 161
- Symbol, ritual and cognition 173
- Index and icon revisited 181
-
Part 5. The semiosis of metaphor
- Peirce and the interaction view of metaphor 193
- From pure icon to metaphor: Six degrees of iconicity 205
- On the neglect of Peirce’s views on metaphor in current theories of iconicity 215
- Peirce’s definition of metaphor and its consequences 229
-
Part 6. Semiotics and aesthetics
- Aesthetic and artistic semiosis: A Peircean perspective 239
- Peirce on fiction: Introduction to an author-orientated semiotics 251
- Literary art: Meaning as a sign of possibility 263
- Arguments about icons 273
- Othello and Iago: Twins or opponents? On identity in literary semiotics 283
- Visual semiotics versus pragmaticism: Peirce and photography 295
- Music as icon: A critique of twentieth century music semiotic 315
-
Part 7. Philosophy, linguistics and semiotics
- Sign structure and sign event in Saussure, Hjelmslev, and Peirce 329
- Relating European structuralist semiotics to American Peircean semeiotic 339
- Peirce and medieval semiotics 351
- Peirce and Derrida: From sign to sign 365
-
Part 8. Semiotics and hermeneutics
- Peirce and hermeneutics 381
- Hermeneutic aspects in the light of Peirce’s methodology 391
- A word is not a sign: Hermeneutic semiotics and Peirce’s “Ethics of terminology” 399
- Peirce’s pragmatic maxim and K.-O. Apel’s idea of a contemplementary hermeneutical science 415
- Peirce, pragmatism, and interpretation theory 429
- The construction of a Peircean hermeneutics 441
- Index 451