The Chalk Figures of Southern New Ireland and the Gazelle Peninsula and Their Relationship to Other South Pacific Areas

Chapters in this book

1. I-IV I
2. General Editor's Preface V
3. Table of Contents IX
4. Introduction 1
5. Proceedings of the Pre-Congress Conference on Art and Anthropology 7
6. Proceedings of the Congress Session on the Visual and Performing Arts 47
7. PART ONE Theory and Methodology
8. Anthropology, Philosophy, and Aesthetics 91
9. The Feeling of Architectonic Form: Residual and Emergent Qualities in Fang Cult and Culture 103
10. Structural Studies of Art Styles 139
11. An Inquiry into the Nature of Folktales and Folk Arts 213
12. The Production of Aesthetic Values 221
13. Notes on the Sociology of Art 229
14. PART TWO Art in Its Cultural Setting
15. Witchcraft Belief in the Explanation of Traditional African Iconography 241
16. Grave Sculptures of the Dakakari 293
17. Baule and Yoruba Art Criticism: A Comparison 309
18. Tea House Paintings in Iran 327
19. The Chalk Figures of Southern New Ireland and the Gazelle Peninsula and Their Relationship to Other South Pacific Areas 351
20. A Painted Bark Shelter in Central Arnhem Land 365
21. PART THREE Art and Change in Form, Content and Meaning: The Creative Innovator, Acculturation and Ethnohistory
22. Artistic Expression and Creative Process in Caribbean Possession Cult Rituals 373
23. Images of the White Man in Nineteenth-Century Plains Indian Art 411
24. From Folk Art to Fine Art: The Emergence of the Name Artist Among the Southwest Indians 431
25. Taiwanese Shadow Puppets and the Development of Shadow Theater 439
26. Latin American Folk Arts and Crafts and Their Sources 459
27. Human Imponderables in the Study of African Art 469
28. The Influence of African Art on African-American Art 513
29. On Exhibiting African Art 535
30. Folk Decorative and Applied Arts as a Source for the Study of Ethnogenesis: A Case Study of Turkmenians 553
31. Art and History in West Africa: Two Case Studies 567
32. PART FOUR The Role of Art in Archeology: The Reconstruction of Cultures
33. Maya and Teotihuacán Traits in Classic Maya Vase Painting of the Ρetén 595
34. The Relationship Between Painting and Scripts 609
35. Ethnological Studies on Ancient Chinese Ritual Implements of Bronze and Jade 631
36. Applied Art of the Ojibwa Indians (1830-1880) 655
37. PART FIVE Anthropology and Art in Contemporary Society: Popular Art and Folk Art Survivals
38. Anthropology and the Study of Art in Contemporary Western Society: The Pasadena Tournament of Roses 669
39. Criteria for the Classification of Folk Ornaments 717
40. Methods of Research and Documentation of Popular Art in Czechoslovakia 735
41. Icons Painted on Glass in Yugoslavia 745
42. Russian Folk Art Tradition in Modern Society: The Decor of the Present-Day Dwelling 783
43. Biographical Notes 795
44. Index of Names 803
45. Index of Subjects 809