Community and the Others: Unveiling Boundaries in Shakespeare’s The Merchant of Venice
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Amany El-Sawy
Abstract
Shakespeare portrays conflict and opposition between the Christian Venetians and the Jewish community in The Merchant of Venice (1596-1598), although he was not personally familiar with Venice. His depiction of Shylock, the ‘merciless’ Jew, is a mere projection of the discrimination against Jews in England. Shylock and his community live at the social and physical periphery because of their religion. This article suggests how Shakespeare portrays the Jewish community in Venice for his London audience, and to what extent the Venetian community in the sixteenth century differed from the English people.
Abstract
Shakespeare portrays conflict and opposition between the Christian Venetians and the Jewish community in The Merchant of Venice (1596-1598), although he was not personally familiar with Venice. His depiction of Shylock, the ‘merciless’ Jew, is a mere projection of the discrimination against Jews in England. Shylock and his community live at the social and physical periphery because of their religion. This article suggests how Shakespeare portrays the Jewish community in Venice for his London audience, and to what extent the Venetian community in the sixteenth century differed from the English people.
Kapitel in diesem Buch
- Frontmatter I
- Table of Contents V
- List of Illustrations IX
- Introduction: An Essay on Language, Culture, and Identity: Medieval and Early Modern Perspectives on and Approaches to Communication, Translation, and Community 1
- Ways of Communication and Mis/communication in Abū Tammām’s “Ode on the Conquest of Amorium” (838 C.E.) 95
- Proscribed Communication: The Obscene Language of the Troubadour William IX, Duke of Aquitaine and VII Count of Poitiers 109
- (Non)-Imaginary Ideal Communities in the Pre-Modern World: A Reading in the Utopian Works of al-Fārābi’, Ibn Khaldūn, Christine de Pizan, and Thomas More 159
- A Jewish Moneylender, Miscommunication, and a Lie: Gonzalo de Berceo’s Milagro no. 23 191
- Words, Signs, Meanings: William Langland’s Piers Plowman as a Window on Linguistic Chaos 209
- The Chaucerian Translator 233
- Entertainment, Laughter, and Reflections as a Training Ground for Communication in Public and Private: The Case of Heinrich Kaufringer, ca. 1400 255
- …written in my own Jewish hand 291
- Demonic Operators: Forbidden Relations in Medieval Communication 327
- Paroemiac Expressions: A Touch of Color in the Ambassadors’ Diplomatic Correspondence in the Fifteenth Century 351
- Communication and Translation in Early Modern Basque Society. The Role Played by the Public Notaries 379
- Preventing Miscommunication: Early Modern German Surgeons as Specialized Translators 393
- Reputation and Authority in the Physicians’ Communication with Patients as Reflected in the Czech-Language Sources of the Early Modern Period 415
- The Physicians’ Community in Pre-Thirty Years’ War Bohemia 439
- A Bond of True Love: Performing Courtship and Betrothal in Gower’s Cinkante balades and Spenser’s Amoretti, in Light of Christine de Pizan’s Cent balades 461
- Noble Friendship in Relation to the Community: Hamlet and The Merchant of Venice 491
- Deconstructing the (Mis)Interpretation of Paratextual Elements in Ross’s English Translation of the Qur’ān, The Alcoran of Mahomet (1649) 519
- Community and the Others: Unveiling Boundaries in Shakespeare’s The Merchant of Venice 551
- Biographies of the Contributors 617
- Index 627
Kapitel in diesem Buch
- Frontmatter I
- Table of Contents V
- List of Illustrations IX
- Introduction: An Essay on Language, Culture, and Identity: Medieval and Early Modern Perspectives on and Approaches to Communication, Translation, and Community 1
- Ways of Communication and Mis/communication in Abū Tammām’s “Ode on the Conquest of Amorium” (838 C.E.) 95
- Proscribed Communication: The Obscene Language of the Troubadour William IX, Duke of Aquitaine and VII Count of Poitiers 109
- (Non)-Imaginary Ideal Communities in the Pre-Modern World: A Reading in the Utopian Works of al-Fārābi’, Ibn Khaldūn, Christine de Pizan, and Thomas More 159
- A Jewish Moneylender, Miscommunication, and a Lie: Gonzalo de Berceo’s Milagro no. 23 191
- Words, Signs, Meanings: William Langland’s Piers Plowman as a Window on Linguistic Chaos 209
- The Chaucerian Translator 233
- Entertainment, Laughter, and Reflections as a Training Ground for Communication in Public and Private: The Case of Heinrich Kaufringer, ca. 1400 255
- …written in my own Jewish hand 291
- Demonic Operators: Forbidden Relations in Medieval Communication 327
- Paroemiac Expressions: A Touch of Color in the Ambassadors’ Diplomatic Correspondence in the Fifteenth Century 351
- Communication and Translation in Early Modern Basque Society. The Role Played by the Public Notaries 379
- Preventing Miscommunication: Early Modern German Surgeons as Specialized Translators 393
- Reputation and Authority in the Physicians’ Communication with Patients as Reflected in the Czech-Language Sources of the Early Modern Period 415
- The Physicians’ Community in Pre-Thirty Years’ War Bohemia 439
- A Bond of True Love: Performing Courtship and Betrothal in Gower’s Cinkante balades and Spenser’s Amoretti, in Light of Christine de Pizan’s Cent balades 461
- Noble Friendship in Relation to the Community: Hamlet and The Merchant of Venice 491
- Deconstructing the (Mis)Interpretation of Paratextual Elements in Ross’s English Translation of the Qur’ān, The Alcoran of Mahomet (1649) 519
- Community and the Others: Unveiling Boundaries in Shakespeare’s The Merchant of Venice 551
- Biographies of the Contributors 617
- Index 627
