Startseite Geschichte Entertainment, Laughter, and Reflections as a Training Ground for Communication in Public and Private: The Case of Heinrich Kaufringer, ca. 1400
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Entertainment, Laughter, and Reflections as a Training Ground for Communication in Public and Private: The Case of Heinrich Kaufringer, ca. 1400

  • Albrecht Classen

Abstract

Late medieval verse and prose narratives have been regularly recognized as didactic, informative, and entertainment in their purpose, whether we think of Boccaccio or Chaucer, Poggio Bracciolini or Margarethe de Navarre. We have not quite understood yet to what extent those tales also served to illustrate to the audiences how people ought to communicate with each other, either within marriage or in public, within the city or in closed social groups. However, Heinrich Kaufringer’s verse narratives from ca. 1400 prove to be most explicit in that regard and address ultimately what most other poets of this kind of texts had obviously in mind, instructing their audiences social structures. Studying Kaufringer’s mæren in light of communication theory, we gain deeper insight into the fundamental intentions behind the entire genre of late medieval short verse and prose narratives, serving as a kind of fictional laboratory to explore the critical approaches to functioning and productive human communication.

Abstract

Late medieval verse and prose narratives have been regularly recognized as didactic, informative, and entertainment in their purpose, whether we think of Boccaccio or Chaucer, Poggio Bracciolini or Margarethe de Navarre. We have not quite understood yet to what extent those tales also served to illustrate to the audiences how people ought to communicate with each other, either within marriage or in public, within the city or in closed social groups. However, Heinrich Kaufringer’s verse narratives from ca. 1400 prove to be most explicit in that regard and address ultimately what most other poets of this kind of texts had obviously in mind, instructing their audiences social structures. Studying Kaufringer’s mæren in light of communication theory, we gain deeper insight into the fundamental intentions behind the entire genre of late medieval short verse and prose narratives, serving as a kind of fictional laboratory to explore the critical approaches to functioning and productive human communication.

Kapitel in diesem Buch

  1. Frontmatter I
  2. Table of Contents V
  3. List of Illustrations IX
  4. Introduction: An Essay on Language, Culture, and Identity: Medieval and Early Modern Perspectives on and Approaches to Communication, Translation, and Community 1
  5. Ways of Communication and Mis/communication in Abū Tammām’s “Ode on the Conquest of Amorium” (838 C.E.) 95
  6. Proscribed Communication: The Obscene Language of the Troubadour William IX, Duke of Aquitaine and VII Count of Poitiers 109
  7. (Non)-Imaginary Ideal Communities in the Pre-Modern World: A Reading in the Utopian Works of al-Fārābi’, Ibn Khaldūn, Christine de Pizan, and Thomas More 159
  8. A Jewish Moneylender, Miscommunication, and a Lie: Gonzalo de Berceo’s Milagro no. 23 191
  9. Words, Signs, Meanings: William Langland’s Piers Plowman as a Window on Linguistic Chaos 209
  10. The Chaucerian Translator 233
  11. Entertainment, Laughter, and Reflections as a Training Ground for Communication in Public and Private: The Case of Heinrich Kaufringer, ca. 1400 255
  12. …written in my own Jewish hand 291
  13. Demonic Operators: Forbidden Relations in Medieval Communication 327
  14. Paroemiac Expressions: A Touch of Color in the Ambassadors’ Diplomatic Correspondence in the Fifteenth Century 351
  15. Communication and Translation in Early Modern Basque Society. The Role Played by the Public Notaries 379
  16. Preventing Miscommunication: Early Modern German Surgeons as Specialized Translators 393
  17. Reputation and Authority in the Physicians’ Communication with Patients as Reflected in the Czech-Language Sources of the Early Modern Period 415
  18. The Physicians’ Community in Pre-Thirty Years’ War Bohemia 439
  19. A Bond of True Love: Performing Courtship and Betrothal in Gower’s Cinkante balades and Spenser’s Amoretti, in Light of Christine de Pizan’s Cent balades 461
  20. Noble Friendship in Relation to the Community: Hamlet and The Merchant of Venice 491
  21. Deconstructing the (Mis)Interpretation of Paratextual Elements in Ross’s English Translation of the Qur’ān, The Alcoran of Mahomet (1649) 519
  22. Community and the Others: Unveiling Boundaries in Shakespeare’s The Merchant of Venice 551
  23. Biographies of the Contributors 617
  24. Index 627
Heruntergeladen am 28.11.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110776874-009/html?lang=de
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