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“Jeff Koons is back!”. Forces at Work
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Chapters in this book
- Frontmatter I
- Contents V
- Preface VII
-
Introduction Artist Complex
- Artist Complex. Thinking Photography with Carl Gustav Jung 3
-
Genius
- Milieu sphérique, espace clos. The Studio of Georges Braque as a Romantic Place of Creation in Brassaї’s Photographic Portraits 29
- Claude Monet’s Graphic Work and the Myth of a Plein Air Pa inter 49
-
Self
- Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction 71
- Demiurge, “Tough Prophet” and Scientist. Frederick Kiesler as The Greatest Self-Staging Architect of his Time 89
- Impossible Self-Portrait. Photographic Ga mes and Existential Inquiries in the Photographic Work of Witkacy–Głogowski 109
-
Bodies
- “Jeff Koons is back!”. Forces at Work 129
- Natalia LL . Reading Categorical Statements from the Sphere of Post -Consumer Art , October 1975 as a Programmatic Self-Portrait 143
- Dialectics of Desire and Disgust. Adrian Piper’s Catalysis 161
-
Work
- BERLIN ARTISTS. Photographic Field Research 2009–2014 175
- List of contributors 195
Chapters in this book
- Frontmatter I
- Contents V
- Preface VII
-
Introduction Artist Complex
- Artist Complex. Thinking Photography with Carl Gustav Jung 3
-
Genius
- Milieu sphérique, espace clos. The Studio of Georges Braque as a Romantic Place of Creation in Brassaї’s Photographic Portraits 29
- Claude Monet’s Graphic Work and the Myth of a Plein Air Pa inter 49
-
Self
- Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction 71
- Demiurge, “Tough Prophet” and Scientist. Frederick Kiesler as The Greatest Self-Staging Architect of his Time 89
- Impossible Self-Portrait. Photographic Ga mes and Existential Inquiries in the Photographic Work of Witkacy–Głogowski 109
-
Bodies
- “Jeff Koons is back!”. Forces at Work 129
- Natalia LL . Reading Categorical Statements from the Sphere of Post -Consumer Art , October 1975 as a Programmatic Self-Portrait 143
- Dialectics of Desire and Disgust. Adrian Piper’s Catalysis 161
-
Work
- BERLIN ARTISTS. Photographic Field Research 2009–2014 175
- List of contributors 195