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4 Stories in Conflict and Competition: Alternative Histories, Complementary Tales, and Lies in Early Modern Drama
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Chapters in this book
- Frontmatter I
- Foreword VII
- Contents IX
- Prologue XV
-
Part I: Towards a Transgeneric and Contextual Theory of Narrative in Drama, Or, Reframing ‘Drama’ as a Narrative Genre
- 1 ‘Enter Drama!’ Putting the Genre (Back) Centre Stage in the Study of Literature and Culture 1
- 2 Rising Action: Towards a Narratology of Drama 35
- 3 Suggestions for a Peripeteia in Drama and Narrative Theory: A Culturally Sensitive Narratology of Drama and Dramatic Narration 57
-
Part II: The History of Narrative and Narration in British Drama – The Cultural Dynamics and Performative Power of Dramatic Storytelling
- 4 Stories in Conflict and Competition: Alternative Histories, Complementary Tales, and Lies in Early Modern Drama 97
- 5 The Containment of Different Narratives and of Narratives of Difference in Drama: The Renewal and Self-Definition of a ‘Sleeping’ Genre as well as Theatrical Configurations of Restoration and Early Eighteenth-Century (Drama) Cultures 148
- 6 From Stage to Page, from the Publicly Politic to the Metaphysically Private: Late Eighteenth-Century and Romantic Drama as a Genre in Transformation, Dramatising Diegetic Storytelling and Narrativising (Revolutionary) Change in Society and Conflict in Selves 199
- 7 Expanding the Allowances of Drama by Generic Encounters with Narrative in Victorian and Early-Twentieth-Century Plays: Intersecting Drama and Narrative as Means to Fight against Hypocritical Hegemonies as well as to Perform and Forestall Political Change 254
- 8 From Stories in Drama to the Drama of (Performed) Stories: Late-Twentieth and Early-Twenty-First-Century Dissolutions of Established Generic Traditions and Cultural Histories as Well as the Generation of New, ‘Ex-centric’ Genres and Histories through Narrative 304
- 9 Conclusion: ‘The Contextual Dynamics of Dramatic Storytelling’ and the ‘Performative Power of Narrative in British Plays’ 358
- References 379
- Index 415
Chapters in this book
- Frontmatter I
- Foreword VII
- Contents IX
- Prologue XV
-
Part I: Towards a Transgeneric and Contextual Theory of Narrative in Drama, Or, Reframing ‘Drama’ as a Narrative Genre
- 1 ‘Enter Drama!’ Putting the Genre (Back) Centre Stage in the Study of Literature and Culture 1
- 2 Rising Action: Towards a Narratology of Drama 35
- 3 Suggestions for a Peripeteia in Drama and Narrative Theory: A Culturally Sensitive Narratology of Drama and Dramatic Narration 57
-
Part II: The History of Narrative and Narration in British Drama – The Cultural Dynamics and Performative Power of Dramatic Storytelling
- 4 Stories in Conflict and Competition: Alternative Histories, Complementary Tales, and Lies in Early Modern Drama 97
- 5 The Containment of Different Narratives and of Narratives of Difference in Drama: The Renewal and Self-Definition of a ‘Sleeping’ Genre as well as Theatrical Configurations of Restoration and Early Eighteenth-Century (Drama) Cultures 148
- 6 From Stage to Page, from the Publicly Politic to the Metaphysically Private: Late Eighteenth-Century and Romantic Drama as a Genre in Transformation, Dramatising Diegetic Storytelling and Narrativising (Revolutionary) Change in Society and Conflict in Selves 199
- 7 Expanding the Allowances of Drama by Generic Encounters with Narrative in Victorian and Early-Twentieth-Century Plays: Intersecting Drama and Narrative as Means to Fight against Hypocritical Hegemonies as well as to Perform and Forestall Political Change 254
- 8 From Stories in Drama to the Drama of (Performed) Stories: Late-Twentieth and Early-Twenty-First-Century Dissolutions of Established Generic Traditions and Cultural Histories as Well as the Generation of New, ‘Ex-centric’ Genres and Histories through Narrative 304
- 9 Conclusion: ‘The Contextual Dynamics of Dramatic Storytelling’ and the ‘Performative Power of Narrative in British Plays’ 358
- References 379
- Index 415