Chapter
Licensed
Unlicensed
Requires Authentication
4 The Example of Art Since 1900
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Introduction 7
- Acknowledgments 13
- 1. The Conditions Under Which Global Art History Is Studied 17
- 2. Leading Terms: Master Narrative, Western, Central, Peripheral, North Atlantic 39
- 3 Are Art Criticism, Art Theory, Art Instruction, and the Novel Global Phenomena? 63
- 4 The Example of Art Since 1900 95
- 5 State of the Field: Six Current Strategies 113
- 6 Reasons Why Escape is Not Possible 145
- 7 Finding Terms and Methods for Art History 153
- 8 Writing About Modernist Painting Outside Western Europe and North America 165
- 9 The Most Difficult Problem for Global Art History 193
- Envoi: Writing Itself 205
- Main Points 209
- Index 215
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Introduction 7
- Acknowledgments 13
- 1. The Conditions Under Which Global Art History Is Studied 17
- 2. Leading Terms: Master Narrative, Western, Central, Peripheral, North Atlantic 39
- 3 Are Art Criticism, Art Theory, Art Instruction, and the Novel Global Phenomena? 63
- 4 The Example of Art Since 1900 95
- 5 State of the Field: Six Current Strategies 113
- 6 Reasons Why Escape is Not Possible 145
- 7 Finding Terms and Methods for Art History 153
- 8 Writing About Modernist Painting Outside Western Europe and North America 165
- 9 The Most Difficult Problem for Global Art History 193
- Envoi: Writing Itself 205
- Main Points 209
- Index 215