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Age/agite: the Artistic Re-elaboration of a Polyfunctional Interjection in Virgil’s Works

  • Giulia Beghini
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Abstract

In this study, I try to establish the use and functions of the interjections age and agite in Virgil’s works, on the basis of ancient grammatical tradition and of the theory of pragmaticalization. In Virgilian poetry, age and agite can function as discourse and pragmatic markers. Moreover, age and agite create collocations with other elements. My focus is on some of these collocations, which are recurrent and appear with the same value in similar contexts. Both literary and non-literary and unofficial testimonia of Latin are consulted in order to determine where these collocations were in use and in what kind(s) of language. The data show that Virgil drew several collocations from the language of comedy and lively prose, drew one collocation from the learned poetry of Catullus, and invented some new ones. Therefore, his prevailing modus operandi consisted in re-elaborating well attested collocations in texts, which (artistically) reproduced colloquial Latin. This chapter offers an in-depth analysis of Virgil’s artistic re-elaboration of this colloquial material.

Abstract

In this study, I try to establish the use and functions of the interjections age and agite in Virgil’s works, on the basis of ancient grammatical tradition and of the theory of pragmaticalization. In Virgilian poetry, age and agite can function as discourse and pragmatic markers. Moreover, age and agite create collocations with other elements. My focus is on some of these collocations, which are recurrent and appear with the same value in similar contexts. Both literary and non-literary and unofficial testimonia of Latin are consulted in order to determine where these collocations were in use and in what kind(s) of language. The data show that Virgil drew several collocations from the language of comedy and lively prose, drew one collocation from the learned poetry of Catullus, and invented some new ones. Therefore, his prevailing modus operandi consisted in re-elaborating well attested collocations in texts, which (artistically) reproduced colloquial Latin. This chapter offers an in-depth analysis of Virgil’s artistic re-elaboration of this colloquial material.

Chapters in this book

  1. Frontmatter I
  2. Preface VII
  3. Contents XI
  4. Volume I
  5. Latin Linguistics in Harm’s Way 1
  6. Section 1: Syntax and Semantics
  7. Aspects of the Expression of Definiteness in Classical Latin 19
  8. On the Zero Anaphora of Arguments in the Dative Case 45
  9. Interferencias colocacionales entre facere, agere y gerere en latín tardío 63
  10. Sēnsus cēnsēndī: On the Expression of Opinions in Latin, apropos CIC. Att. 1, 4, 1 79
  11. Substitution in Latin 97
  12. Remarks on the Aspect of the Present Tense in Latin 113
  13. Section 2: Syntactic Constructions
  14. El acusativo adverbial deadjetival en latín 135
  15. Expression of (Non-)Permanent Qualities and Coding of the Praedicativum in Latin 151
  16. Coordinative Repetition: Repetition as a Means of Coordination in Classical Latin 167
  17. Is au nominatif en fonction de sujet 181
  18. Non-finite Constructions in Latin, German and Turkish: A Trilateral Comparison 197
  19. Latin Translations of Greek ὅτι-clauses in the Vulgate and the Vetus Latina: A Comparative Analysis of the Four Gospels 217
  20. Section 3: Syntax and Pragmatics
  21. Les subordonnées causales corrélatives en latin 239
  22. The Sequence [sola + VIR at the Beginning of the Verse]: A New Textual Motif in Ovidian Elegy? 257
  23. Prepositional Phrase Hyperbaton in Cicero’s Orations 273
  24. Section 4: Digital Linguistics
  25. Lemmas in Dialogue: Linking the L.A.S.L.A. Corpus to the LiLa Knowledge Base 297
  26. New Perspectives on Latin Phraseology: Phrasemes and Textual Motifs 315
  27. Volume II
  28. Section 5: Semantics and Lexicography
  29. A Cognitive-Pragmatic Description of Evaluative Suffixes in Latin Letters: The Case of -llus 331
  30. Nota su perticarius e sarcitor: due nomi di mestiere di rara attestazione 349
  31. Expressing Rose Colour (roseus) from Ancient to Modern Latin: A Corpus-Based Study 363
  32. Glossing as a Rhetorical Strategy: Seneca the Younger’s Use of Greek Loan-Words in his Philosophical Works 381
  33. Le micro-champ lexical des noms de pains en latin – une approche étymologique 397
  34. L’expression de la non-virilité par le féminin en latin : lat. effēmināre, lat. effēminātus, lat. effēmināte 417
  35. Semántica y sintaxis de dare. Consideraciones intralingüísticas e interlingüísticas 437
  36. La lingua del De errore profanarum religionum di Firmico Materno 461
  37. Qualche esempio di usi linguistici sommersi nei grammatici latini 471
  38. Nescio an: Maybe or Maybe not? Constructions of Doubting Used Adverbially 483
  39. Section 6: Discourse Strategies
  40. Verbes introducteurs et stratégies d’introduction du Discours Direct dans la narration romanesque latine (le Satyricon de Pétrone et les Métamorphoses d’Apulée) 503
  41. Degrés et manières d’élaboration textuelle chez quelques historiens romains 521
  42. Límites del discurso directo en la lengua latina 535
  43. Linguistik der Emotionen: Gefühlsausdruck bei Terenz und Cicero 553
  44. Fronto’s Theory of Metaphor? An Enactivist and Psycholinguistic Perspective 569
  45. Section 7: Conversation and Dialogue
  46. Age/agite: the Artistic Re-elaboration of a Polyfunctional Interjection in Virgil’s Works 587
  47. Self-interruptions (aposiopesis) in Roman Comedy 603
  48. Gestualità disfunzionale nelle tragedie di Seneca 621
  49. Conversational Behaviour after Quarrels: Im/politeness in Latin Dialogues 637
  50. Conversational Strategies in Non- Conversational Texts: The Communicative Structure of Cicero’s Fourth Catilinarian 667
  51. The Pragmatic Marker age: Its Pragmatic Functions in Comedy and its Contribution to the Expression of Im/Politeness 685
  52. Subject Index 703
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