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Introduction: The “Primitive Accumulation” of Revisionist Memory: A Plea for the Partisan Counter-Archive
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Gal Kirn
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Kapitel in diesem Buch
- Frontmatter I
- Foreword V
- Contents XI
- Introduction: The “Primitive Accumulation” of Revisionist Memory: A Plea for the Partisan Counter-Archive 1
- Chapter 1 The Three Impossibilities of the Partisan Counter-Archive: Politics, Art and the ‘Anti-memory’ of Rupture 27
- Chapter 2 Early Partisan Photography, Film and Poetry (1941–1945): An Oath to Past and Future Struggles 69
- Chapter 3 Continuing the Partisan Rupture by Other Means: From Black Wave Films to Late Modernist Monuments to Revolution (1960s–70s) 171
- Chapter 4 Undoing the Partisan Counter-Archive? From Nationalist(ic) Reconciliation to the Rehabilitation of Fascism 211
- Conclusion: Retrieving the Counter-Archive Beyond Yugoslavia 247
- Afterword: Concrete utopia lasts forever – Branko Miljković’s Yugoslavia 259
- List of Images 261
- Bibliography 265
- Index 291
Kapitel in diesem Buch
- Frontmatter I
- Foreword V
- Contents XI
- Introduction: The “Primitive Accumulation” of Revisionist Memory: A Plea for the Partisan Counter-Archive 1
- Chapter 1 The Three Impossibilities of the Partisan Counter-Archive: Politics, Art and the ‘Anti-memory’ of Rupture 27
- Chapter 2 Early Partisan Photography, Film and Poetry (1941–1945): An Oath to Past and Future Struggles 69
- Chapter 3 Continuing the Partisan Rupture by Other Means: From Black Wave Films to Late Modernist Monuments to Revolution (1960s–70s) 171
- Chapter 4 Undoing the Partisan Counter-Archive? From Nationalist(ic) Reconciliation to the Rehabilitation of Fascism 211
- Conclusion: Retrieving the Counter-Archive Beyond Yugoslavia 247
- Afterword: Concrete utopia lasts forever – Branko Miljković’s Yugoslavia 259
- List of Images 261
- Bibliography 265
- Index 291