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Always on Duty: Galveston’s African American Beaches and Lifeguards

  • Carol Bunch Davis
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Narrating and Constructing the Beach
This chapter is in the book Narrating and Constructing the Beach

Abstract

Reading African American beaches in the U. S. Gulf South city of Galveston, Texas, as contested sites where struggles over the racial and spatial politics of commemoration, normative whiteness, and anti-blackness collide, this article interprets print media accounts of Wavery Guidry and James Helton, who attended to beach patrons at the city’s two African American beaches. Framing their physical and cultural work as ‘sitting up’ with anti-blackness’ myriad personal, cultural, social, legal and structural attacks, this paper contends that Guidry’s and Helton’s experiences provide a critical opportunity to reconsider how racial discourses in the U. S. Gulf South impact the beach’s transformative possibilities.

Abstract

Reading African American beaches in the U. S. Gulf South city of Galveston, Texas, as contested sites where struggles over the racial and spatial politics of commemoration, normative whiteness, and anti-blackness collide, this article interprets print media accounts of Wavery Guidry and James Helton, who attended to beach patrons at the city’s two African American beaches. Framing their physical and cultural work as ‘sitting up’ with anti-blackness’ myriad personal, cultural, social, legal and structural attacks, this paper contends that Guidry’s and Helton’s experiences provide a critical opportunity to reconsider how racial discourses in the U. S. Gulf South impact the beach’s transformative possibilities.

Chapters in this book

  1. Frontmatter I
  2. Inhalt V
  3. Acknowledgements IX
  4. Measuring the Beach: Processes, Practices and Discourses 1
  5. Gedanken über unsichtbare Inselgruppen 53
  6. (Precluded) Arrivals/Departures
  7. Stranded. The Beach as Ultimate Destination in Joseph Conrad’s Amy Foster and Thomas Mann’s Death in Venice 57
  8. Dystopie, Utopie, Heterotopie: Die Imagination des Strands in der Literatur von Afropäerinnen 82
  9. Figuring Senegalese Beaches in Moussa Sène Absa’s Films 100
  10. Drawing and Crossing Lines
  11. Strandbekanntschaften in Georg Forsters Reise um die Welt und das europäische Projekt ‚Zivilisation‘ 123
  12. Wechselnde Gezeiten: Der Strand als Schauplatz für Wendepunkte in Heldendichtung und höfischer Literatur des Mittelalters 146
  13. ‘There’s Law on the Beach!’: Law and Order on Los Angeles’s Beaches 1910s–1970s 171
  14. Always on Duty: Galveston’s African American Beaches and Lifeguards 194
  15. Building Structures & Assembling Elements
  16. Sand, Spuren, Architektur – Zur gebauten Ökologie des Strandes 213
  17. Strandburgen: Eine deutsche Lust? Zum Strandurlaub seit dem späten neunzehnten Jahrhundert 236
  18. Der Strand als Schauplatz weltweiter Fauna. Exotische naturalia auf Stranddarstellungen Jan van Kessels d.Ä. 255
  19. SHORELINES & SPACES 276
  20. Bodies in Time: Littoral Rhythms of Death and Desire
  21. Time and Tide Again. Traces, Permeable Spaces and Sensory Perceptions of the Beach in Theodor Storm’s Aquis submersus and HBO’s Big Little Lies 285
  22. “Stile balneare.” Singing the Italian Summer by the Seaside (1960s–1980s) 311
  23. The Boys on the Beach: Andrew Holleran’s Fire Island 337
  24. Stimmen über der Tiefe, gärender Schlamm, Wasserleichen – Theodor Storms Strände 354
  25. Social and Material Transformations
  26. Sisyphos am Strand: Beachcleaning und die litoralen Figurationen fossiler Energiekultur in der zeitgenössischen Umweltfotografie 387
  27. The Ephemeral Beachscape: Skateboarding and the Appropriation of Suburban Concrete 414
  28. Beached. The Awkward Beginnings of Weimar Democracy 427
  29. Der Strand: What to wear on the beach / Was am Strand anziehen? 448
  30. Revisited 463
  31. Notes on Contributors 464
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