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Index of Names and Keywords
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Chapters in this book
- Frontmatter I
- Foreword V
- Table of Contents VII
- Editors’ Introduction 1
-
Elizabethan Times
- Shakespeare, Tragedy, Post-truth: Hamlet, Othello and Antony and Cleopatra 5
- Transfixing Shakespearean Worldliness: How Literary Texts Haunt Law and Politics 27
- Substitution, the Counterfeit Angel and the Imprint of Law 47
- Race, Ethnicity and Alterity in William Shakespeare’s Titus Andronicus 71
- The Reversal of Modernity: From Justinian in Paradise to Royal Occultism 93
- Do Shylock and Rumpelstiltskin win on appeal? The Justice of Silas Marner 111
- I crave the law : De quelques passions juridiques 131
- Shakespeare’s “Complex” Dance Imaginary from Text to Stage: A Midsummer Night’s Dream and Frederick Ashton’s The Dream 153
- Shakespeare’s As You Like It and The Problems of Relativity 173
- Hybrid Identities: Joan of Arc Between History, Drama and the Law 189
-
From the Eighteenth to the Nineteenth Century
- Johnathan Swift’s Gulliver’s Travels and ‘The Cow Trial’: Law, Power, Justice and Eristics 215
- A Painted Ship and a Painted Ocean: Gregson v Gilbert revisited 233
- New Provinces of Writing and Legal Education: Law, Language and Society in Blackstone’s Commentaries 249
- Law, Clemency and the Politics of Emotion in Heinrich von Kleist’s The Prince of Homburg 275
- Fairy Tales and the Representation of Female Education in Elizabeth Gaskell’s Wives and Daughters 293
- Female Forensics: The Woman Reader in Court in Charles Reade’s Griffith Gaunt (1866) 303
- Revulsion, Paradigmatic Shifts and Legal Philosophy: Oliver Wendell Holmes’s The Path of the Law and its Impact on American Legal Thought 319
- Il mostruoso e divino incanto: le sirene e un caso di ekphrasis 335
-
From Modernism to Post-postmodernism
- Breaking the Silence: Cultural and Legal Encounters 349
- Urban Readings: The City as Text in Isherwood’s Goodbye to Berlin 371
- Embodied Monstrosity and Identitarian Fluidity in Jeanette Winterson’s Novels of the 1980s 387
- “In Some Dark Form I’ll Continue”: James Ellroy’s Silent Terror 405
- Barnes’ “The Stowaway” Between Post-Modernism and Post-Anthropocentrism 417
- Resilience, Narrative Attentiveness and Care(‐giving): Martin Amis’s Time’s Arrow 435
- Displaced Memory: The Screened Past of Fugitive Pieces 451
- Mythic and Fairy-Tale Elements in Doris Lessing’s Mara and Dann 463
- “Wrest once the law to your authority. To do a great right, do a little wrong?” 477
- Posts Manent, Lex Volat: Detective Stories in Electronic Literature 499
- Promethean Longing: Ridley Scott’s Speculative Legalism 523
-
Epilogue: Back to Shakespeare and Towards the Contemporary Period
- The Rocky Horror Show as Liminal, Gothic, Monstrous, Shakespearean Biolegal Fable 539
- Contributors 557
- Index of Names and Keywords 565
Chapters in this book
- Frontmatter I
- Foreword V
- Table of Contents VII
- Editors’ Introduction 1
-
Elizabethan Times
- Shakespeare, Tragedy, Post-truth: Hamlet, Othello and Antony and Cleopatra 5
- Transfixing Shakespearean Worldliness: How Literary Texts Haunt Law and Politics 27
- Substitution, the Counterfeit Angel and the Imprint of Law 47
- Race, Ethnicity and Alterity in William Shakespeare’s Titus Andronicus 71
- The Reversal of Modernity: From Justinian in Paradise to Royal Occultism 93
- Do Shylock and Rumpelstiltskin win on appeal? The Justice of Silas Marner 111
- I crave the law : De quelques passions juridiques 131
- Shakespeare’s “Complex” Dance Imaginary from Text to Stage: A Midsummer Night’s Dream and Frederick Ashton’s The Dream 153
- Shakespeare’s As You Like It and The Problems of Relativity 173
- Hybrid Identities: Joan of Arc Between History, Drama and the Law 189
-
From the Eighteenth to the Nineteenth Century
- Johnathan Swift’s Gulliver’s Travels and ‘The Cow Trial’: Law, Power, Justice and Eristics 215
- A Painted Ship and a Painted Ocean: Gregson v Gilbert revisited 233
- New Provinces of Writing and Legal Education: Law, Language and Society in Blackstone’s Commentaries 249
- Law, Clemency and the Politics of Emotion in Heinrich von Kleist’s The Prince of Homburg 275
- Fairy Tales and the Representation of Female Education in Elizabeth Gaskell’s Wives and Daughters 293
- Female Forensics: The Woman Reader in Court in Charles Reade’s Griffith Gaunt (1866) 303
- Revulsion, Paradigmatic Shifts and Legal Philosophy: Oliver Wendell Holmes’s The Path of the Law and its Impact on American Legal Thought 319
- Il mostruoso e divino incanto: le sirene e un caso di ekphrasis 335
-
From Modernism to Post-postmodernism
- Breaking the Silence: Cultural and Legal Encounters 349
- Urban Readings: The City as Text in Isherwood’s Goodbye to Berlin 371
- Embodied Monstrosity and Identitarian Fluidity in Jeanette Winterson’s Novels of the 1980s 387
- “In Some Dark Form I’ll Continue”: James Ellroy’s Silent Terror 405
- Barnes’ “The Stowaway” Between Post-Modernism and Post-Anthropocentrism 417
- Resilience, Narrative Attentiveness and Care(‐giving): Martin Amis’s Time’s Arrow 435
- Displaced Memory: The Screened Past of Fugitive Pieces 451
- Mythic and Fairy-Tale Elements in Doris Lessing’s Mara and Dann 463
- “Wrest once the law to your authority. To do a great right, do a little wrong?” 477
- Posts Manent, Lex Volat: Detective Stories in Electronic Literature 499
- Promethean Longing: Ridley Scott’s Speculative Legalism 523
-
Epilogue: Back to Shakespeare and Towards the Contemporary Period
- The Rocky Horror Show as Liminal, Gothic, Monstrous, Shakespearean Biolegal Fable 539
- Contributors 557
- Index of Names and Keywords 565