Kapitel
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Acknowledgements
-
Silke Braselmann
Kapitel in diesem Buch
- Frontmatter I
- Acknowledgements VII
- Contents IX
- 1. Introduction 1
-
Part I: Narrative, Fiction and Fact in the School Shooting Discourse
- 2. We Need to Talk About Amok: Tracing the Narratives of School Shootings 19
- 3. Blurred Boundaries: The Role of Fiction in the School Shooting Discourse 90
-
Part II: Discursive Functions of School Shooting Literature and Film
- 4. Multimodal Representations of the School Shooting Narrative in Give a Boy a Gun (2000), Shooter (2004) and Big Mouth & Ugly Girl (2002) 149
- 5. Experiencing the ‘Rashomon-Effect’: Functions of Multiperspectivity in Violent Ends (2015), This is Where It Ends (2016) and Elephant (2003) 210
- 6. Unsettling Narratives: The Inexplicability of School Shootings in We Need to Talk About Kevin (2003) and its Film Adaptation (2011) 265
- 7. Conclusion 315
- Bibliography 332
- Index 351
Kapitel in diesem Buch
- Frontmatter I
- Acknowledgements VII
- Contents IX
- 1. Introduction 1
-
Part I: Narrative, Fiction and Fact in the School Shooting Discourse
- 2. We Need to Talk About Amok: Tracing the Narratives of School Shootings 19
- 3. Blurred Boundaries: The Role of Fiction in the School Shooting Discourse 90
-
Part II: Discursive Functions of School Shooting Literature and Film
- 4. Multimodal Representations of the School Shooting Narrative in Give a Boy a Gun (2000), Shooter (2004) and Big Mouth & Ugly Girl (2002) 149
- 5. Experiencing the ‘Rashomon-Effect’: Functions of Multiperspectivity in Violent Ends (2015), This is Where It Ends (2016) and Elephant (2003) 210
- 6. Unsettling Narratives: The Inexplicability of School Shootings in We Need to Talk About Kevin (2003) and its Film Adaptation (2011) 265
- 7. Conclusion 315
- Bibliography 332
- Index 351