The Translational Dimension Of Street Literature. The Nineteenth-Century Italian Repertoire

Chapters in this book

1. Frontmatter I
2. Contents V
3. Introduction: Crossing Borders, Crossing Cultures 1
4. I. Media, Intermediality
5. The Dynamic Of Communication And Media Recycling In Early Modern Europe: Popular Prints As Echoes And Feedback Loops 9
6. Iconographies And Material Culture Of Illustrated Cheap Print From Post-Tridentine Bologna 33
7. “Popular Print In German” (1400-1800). Problems And Projects 53
8. II. Markets, Prices, And Collections
9. The Railway Library And Other Literary Rubbish That Travels By The Rail 71
10. Shifting Price Levels Of Books Produced At The Officina Plantiniana In Antwerp, 1580–1655 89
11. Faraway, So Close: Frontier Challenges For Inter-National Bibliographies 109
12. III. Transnational Approaches
13. “Literatura De Cordel” From A Transnational Perspective. New Horizons For An Old Field Of Study 127
14. The Translational Dimension Of Street Literature. The Nineteenth-Century Italian Repertoire 143
15. The Printed Popularization Of The Iberian Books Of Chivalry Across Sixteenth-Century Europe 159
16. The Afterlife Of Italian Secrets: Translating Medical Recipes In Early Modern Europe 181
17. Popular Print In Unofficial Languages. Ireland, Scotland, Wales, And Brittany 199
18. IV. Genres And European Bestsellers
19. The Spanish Romances About Chivalry. A Renaissance Editorial Phenomenon On Which “The Sun Never Set” 217
20. Crossing Genres: A Newcomer In The Transnational History Of Almanacs 227
21. The Greatest German Book Success Of The Eighteenth Century. Rudolph Zacharias Becker’S “Noth- Und Hülfsbüchlein” (1788/1798) As The Prototype Of Printed Volksaufklärung And Its Dissemination In Europe 245
22. A Canon Of Popular Narratives In Six European Languages Between 1470 And 1900. The “Griseldis”-Tradition In German And Dutch 265
23. Contributors 287
24. Index 289