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Syntactic constraints in modern Hindi

  • Liudmila Khokhlova
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Trends in Hindi Linguistics
This chapter is in the book Trends in Hindi Linguistics

Abstract

The purpose of this paper is to show that some of the Hindi word order rules and controlling properties of arguments described by some authors [T. Mohanan 1990; 1994; Butt 1995] may be applied to prose, but not to poetry. The paper establishes that out of five main constraints on scrambling possibilities in Hindi proposed by Mohanan, only one can be claimed to be universal, i.e. the auxiliary verb in a CP cannot be separated from the main one. One of the constraints suggested by T. Mohanan seems not to be a constraint at all: the nominal component within the CP is free to scramble both in prose and poetry. Three constraints are valid for prose texts, but not for poetry: in poetry the separation of parts of noun phrase does not obligatorily imply the initial position; scrambling of the main and light verbs is allowed; the negative particle may be separated from the verbal predicate. In comparison with prose, poetry allows more NPs to control conjunctive participles. Hence, the important task would be to investigate the reasons why a reader/listener considers certain sentences grammatical in poetry but ungrammatical in prose.

Abstract

The purpose of this paper is to show that some of the Hindi word order rules and controlling properties of arguments described by some authors [T. Mohanan 1990; 1994; Butt 1995] may be applied to prose, but not to poetry. The paper establishes that out of five main constraints on scrambling possibilities in Hindi proposed by Mohanan, only one can be claimed to be universal, i.e. the auxiliary verb in a CP cannot be separated from the main one. One of the constraints suggested by T. Mohanan seems not to be a constraint at all: the nominal component within the CP is free to scramble both in prose and poetry. Three constraints are valid for prose texts, but not for poetry: in poetry the separation of parts of noun phrase does not obligatorily imply the initial position; scrambling of the main and light verbs is allowed; the negative particle may be separated from the verbal predicate. In comparison with prose, poetry allows more NPs to control conjunctive participles. Hence, the important task would be to investigate the reasons why a reader/listener considers certain sentences grammatical in poetry but ungrammatical in prose.

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