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4 Poetry and Modes of Humor

  • Calista McRae
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Handbook of American Poetry
Ein Kapitel aus dem Buch Handbook of American Poetry

Abstract

While poetry has often been conceived of as a largely serious genre, it has multiple affinities with comedy. This chapter begins by briefly surveying our standard theories of humor: superiority, incongruity, relief. It then sets out the comic affordances of poetic form: form - whether strict rhyme, the freest of free verse, or something in between - can generate and reinforce comic effects. Taking its examples primarily from twentieth- and twenty-first century work, the chapter then defines three modes of humor: complaint, observation, and play. These interlocking modes demonstrate the range and complexity of humor in modern American poetry - and the conceptual instability that both poetry and humor share.

Abstract

While poetry has often been conceived of as a largely serious genre, it has multiple affinities with comedy. This chapter begins by briefly surveying our standard theories of humor: superiority, incongruity, relief. It then sets out the comic affordances of poetic form: form - whether strict rhyme, the freest of free verse, or something in between - can generate and reinforce comic effects. Taking its examples primarily from twentieth- and twenty-first century work, the chapter then defines three modes of humor: complaint, observation, and play. These interlocking modes demonstrate the range and complexity of humor in modern American poetry - and the conceptual instability that both poetry and humor share.

Kapitel in diesem Buch

  1. Frontmatter I
  2. Editors’ Preface V
  3. Contents VII
  4. Introduction XI
  5. Part I: How Poetry Makes Things Happen
  6. 1 Framing Modern Subjectivity: Poetry and Experience 1
  7. 2 Poetry, Politics, and the Politics of Poetry: How Poems Interfere 29
  8. 3 Tuning in on Sister Arts: Poetry and Music 53
  9. 4 Poetry and Modes of Humor 73
  10. Part II: American Poetry and Poetics Up Close: From the Puritans to Postmodernity and Beyond
  11. 5 Poetry and the Puritan Ethic: Anne Bradstreet, Samuel Danforth, Edward Taylor 97
  12. 6 Neoclassicism and Nation-Building: The Poetry of Phillis Wheatley and Philip Freneau 113
  13. 7 The Price of Poetry: Horton, Larcom, Longfellow, Lowell, Holmes 131
  14. 8 Romanticism, Transcendentalism, Environmentalism: The Ecological Poetics of Ralph Waldo Emerson, Henry David Thoreau, and Margaret Fuller 151
  15. 9 Mind, Body, and Consciousness: The Poetry of Edgar Allan Poe and Emily Dickinson 173
  16. 10 Poetry at War: Herman Melville, Walt Whitman, and Stephen Crane 195
  17. 11 Modern(ist) American Poetry 215
  18. 12 Modernist Materialities: Objects in Poetry 237
  19. 13 Poet-Anthropologists and Boasian “Culture”: Edward Sapir, Ruth Benedict, Margaret Mead 259
  20. 14 The Poet-Critics, Regionalism, and the Rise of Formalism 279
  21. 15 Unconventionally Conventional: Elizabeth Bishop and the Modernization of Traditional Forms 301
  22. 16 Poetic Modes of Early Postmodernism: Black Mountain School, Beat Movement, New York School 317
  23. 17 Poetry as Confession? The Cases of Anne Sexton, W. D. Snodgrass, and Sylvia Plath 343
  24. 18 African American Poetry: From the Harlem Renaissance to the Black Arts Movement and Beyond 359
  25. 19 Poetry as Feminist Critique 375
  26. 20 Words in Performance: The Art and Poetics of Language Poetry 395
  27. 21 How Poetry Matters Now 417
  28. Name Index 437
  29. Subject Index 451
  30. List of Contributors 463
Heruntergeladen am 7.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110595079-004/html
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