Fuss About A Footnote, Or The Struggle For (The) Law In German Legal Theory

Kapitel in diesem Buch

1. Frontmatter i
2. Table Of Contents v
3. Introduction
4. Shakespeare And The Law: State Of The Art 3
5. As You Law It…: Of Certain Objects And Functions Of Ambiguity In Shakespearean Theatre 15
6. Part One The Body Politic And Power Politics
7. King John Or The Proliferation Of The Word Of Authority 27
8. Richard The Freak: The Dis-Ability To Show Power 39
9. Performance, Power, Politics: The Body As Stage In Richard Iii 63
10. The Subjugation Of International Law To Power Politics And Mystery Of State (Arcana Imperii) In Shakespeare’S Henry V 87
11. Part Two Ethnicity And Alterity
12. Ethnicity, Alterity And The Law In Shakespeare’S The Merchant Of Venice 107
13. Shakespeare’S Twin Brother: Foreigners, Outlaws, And The Comedy Of Errors 131
14. Part Three Legal Theory
15. Fuss About A Footnote, Or The Struggle For (The) Law In German Legal Theory 155
16. Measure For Measure: Are Criminal Laws Made To Be Applied? 183
17. Measure In Penal Law 199
18. Are The Conspirators Purgers Or Murderers? Shakespeare’S Julius Caesar And Roman Ius Sacrum 203
19. Part Four Performance
20. Notes On A Strange Eventful History 227
21. “Stir Up The Australian Youth To Merriment”: A Midsummer Night’S Dream, Summer 1989–1990 (Sydney, Australia) And The Theatrical Transmutability Of Law’S Texts 247
22. Contributors 269
23. Index Of Names 273
24. Subjext Index 275