Epinician Discourse in Euripides’ Tragedies: The Case of Alexandros

Kapitel in diesem Buch

1. Frontmatter I
2. Preface V
3. Table of Contents VII
4. Abbreviations IX
5. Introduction 1
6. I Tragic and Lyric Poets in Dialogue
7. Stesichorus and Greek Tragedy 19
8. ‘Stesichorean’ Footsteps in the Parodos of Aeschylus’ Agamemnon 39
9. Pindar at Colonus: A Sophoclean Response to Olympians 2 and 3 65
10. Talking Thalassocracy in Fifth-century Athens: From Bacchylides’ ‘Theseus Odes’ (17 & 18) and Cimonian Monuments to Euripides’ Troades 87
11. II Refiguring Lyric Genres in Tragedy
12. Competing Generic Narratives in Aeschylus’ Oresteia 119
13. How Sophocles Begins: Reshaping Lyric Genres in Tragic Choruses 137
14. Constructing Chorality in Prometheus Bound: The Poetic Background of Divine Choruses in Tragedy 163
15. Epinician Discourse in Euripides’ Tragedies: The Case of Alexandros 187
16. III Performing the Chorus: Ritual, Song, and Dance
17. Theoric song and the Rhetoric of Ritual in Aeschylus’ Suppliant Women 221
18. What melos for Troy? Blending of Lyric Genres in the First Stasimon of Euripides’ Trojan Women 239
19. Hyporchematic Footprints in Euripides’ Electra 265
20. Dancing in Delphi, Dancing in Thebes: The Lyric Chorus in Euripides’ Phoenician Women 291
21. Performing the Wedding Song in Euripides’ Iphigenia in Aulis 315
22. New Music in Sophocles’ Ichneutae 343
23. Afterword: On the Nonexistence of Tragic Odes 367
24. Bibliography 381
25. Notes on Contributors 415
26. Index of Proper Names and Subjects 419
27. Index Locorum 433