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Charisma and Authority

  • Xavier Marquez
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Staging Authority
This chapter is in the book Staging Authority

Abstract

This chapter explores the connections between the idea of charisma and the idea of authority, including the ways in which social, political, and economic changes affected the ‘staging’ of charismatic authority starting in modern times. It begins by briefly sketching the religious genealogy of the idea of charisma, from its origins in Pauline theology to its usage by German theologians in the nineteenth century. It then presents a detailed account of Weber’s paradigmatic account of charisma, stressing the ways in which he appropriated and secularized what was until then essentially a religious concept with little applicability outside of theological polemics. Weber’s main conceptual innovation was to connect charisma to authority, and thus to the recognition by others of exceptional qualities demanding obedience, independent of their religious content. Charisma must nevertheless be distinguished from a number of superficially similar concepts, including celebrity, prestige, fame, and popularity, insofar as concepts like celebrity or fame do not have the same connection to authority even if they grant influence or cultural prestige. But charismatic authority, like all authority, needs to be staged to reach any group larger than a few people; and the technologies available to represent charisma and decode such representations changed immensely over the course of the nineteenth and twentieth centuries. Changes in the economy, society, and politics also produced new sources of ‘charismatic competition,’ as industrial leaders, artists, and demagogues could and did make claims to authority based on charismatic claims that sometimes conflicted with the routinized charisma of traditional monarchs. The final section of the chapter systematically explores the ways in which these changes affected the staging of charismatic authority in the last two centuries.

Abstract

This chapter explores the connections between the idea of charisma and the idea of authority, including the ways in which social, political, and economic changes affected the ‘staging’ of charismatic authority starting in modern times. It begins by briefly sketching the religious genealogy of the idea of charisma, from its origins in Pauline theology to its usage by German theologians in the nineteenth century. It then presents a detailed account of Weber’s paradigmatic account of charisma, stressing the ways in which he appropriated and secularized what was until then essentially a religious concept with little applicability outside of theological polemics. Weber’s main conceptual innovation was to connect charisma to authority, and thus to the recognition by others of exceptional qualities demanding obedience, independent of their religious content. Charisma must nevertheless be distinguished from a number of superficially similar concepts, including celebrity, prestige, fame, and popularity, insofar as concepts like celebrity or fame do not have the same connection to authority even if they grant influence or cultural prestige. But charismatic authority, like all authority, needs to be staged to reach any group larger than a few people; and the technologies available to represent charisma and decode such representations changed immensely over the course of the nineteenth and twentieth centuries. Changes in the economy, society, and politics also produced new sources of ‘charismatic competition,’ as industrial leaders, artists, and demagogues could and did make claims to authority based on charismatic claims that sometimes conflicted with the routinized charisma of traditional monarchs. The final section of the chapter systematically explores the ways in which these changes affected the staging of charismatic authority in the last two centuries.

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