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Slapstick Comediennes in Silent Cinema: Women’s Laughter and the Feminist Politics of Gender in Motion
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Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- Introduction: Interdisciplinary Approaches to Slapstick 1
-
Part I: History of Slapstick
- Introduction 11
- The Descent of Slapstick 15
- Ideology, Performance, and Ironic Distance in Musical Slapstick 37
- Sinking and Falling Bodies: The Beginnings of Literary Slapstick in the Pre-Modern Era 53
-
Part II: Instruments of Slapstick
- Introduction 73
- The Broken Mirror: From Commedia All’Improvviso to Slapstick Comedy 79
- Harold Lloyd and the Reappearing Hand: Disability, Embodiment, and Slapstick 101
- Wardrobe Malfunction and Slapstick Humiliation in The Lonely Island’s Popstar: 121
- Gazing at Slapstick with Luiza Folegatti’s Drag King Series O Deleite da Mulher Barbada 139
-
Part III: Narrative Structures of Slapstick
- Introduction 161
- Telling and Showing: Slapstick in Stephan Schütze’s Comic Theory and Heinrich von Kleist’s Der zerbrochne Krug 165
- A Constraint-Based Approach to the Slapstick Seriality in Larry Semon Comedies, 1918–1920 187
- The Anonymized Randomness of Vicco von B.: On Chaos and Order in Loriot’s Agfa Advertisements 215
-
Part IV: Bodies of Slapstick
- Introduction 245
- The Tragicomic Body: On the Relation between Tragicomedies and Slapstick 249
- ‘Or Words to That Effect’: The Antimetaphysics of Slapstick 269
- Gender and Jewish Difference in Early German Slapstick 293
-
Part V: Politics of Slapstick
- Introduction 311
- Slapstick Comediennes in Silent Cinema: Women’s Laughter and the Feminist Politics of Gender in Motion 315
- Lubitsch’s Queer Slapstick Aesthetics 333
- The Slapstick of Greater Mexico: The Poetics and Politics of Eugenio Derbez 351
- Interpersonal and Social Sensibility in Slapstick from the Perspective of Religious History 367
-
Part VI: Sticking to the Slap: The Contact Points of Slapstick
- Closing Remarks: Creating Openings 389
- Each One, Who Falls – A Conversation 391
- Contributors 407
- Index 411
Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- Introduction: Interdisciplinary Approaches to Slapstick 1
-
Part I: History of Slapstick
- Introduction 11
- The Descent of Slapstick 15
- Ideology, Performance, and Ironic Distance in Musical Slapstick 37
- Sinking and Falling Bodies: The Beginnings of Literary Slapstick in the Pre-Modern Era 53
-
Part II: Instruments of Slapstick
- Introduction 73
- The Broken Mirror: From Commedia All’Improvviso to Slapstick Comedy 79
- Harold Lloyd and the Reappearing Hand: Disability, Embodiment, and Slapstick 101
- Wardrobe Malfunction and Slapstick Humiliation in The Lonely Island’s Popstar: 121
- Gazing at Slapstick with Luiza Folegatti’s Drag King Series O Deleite da Mulher Barbada 139
-
Part III: Narrative Structures of Slapstick
- Introduction 161
- Telling and Showing: Slapstick in Stephan Schütze’s Comic Theory and Heinrich von Kleist’s Der zerbrochne Krug 165
- A Constraint-Based Approach to the Slapstick Seriality in Larry Semon Comedies, 1918–1920 187
- The Anonymized Randomness of Vicco von B.: On Chaos and Order in Loriot’s Agfa Advertisements 215
-
Part IV: Bodies of Slapstick
- Introduction 245
- The Tragicomic Body: On the Relation between Tragicomedies and Slapstick 249
- ‘Or Words to That Effect’: The Antimetaphysics of Slapstick 269
- Gender and Jewish Difference in Early German Slapstick 293
-
Part V: Politics of Slapstick
- Introduction 311
- Slapstick Comediennes in Silent Cinema: Women’s Laughter and the Feminist Politics of Gender in Motion 315
- Lubitsch’s Queer Slapstick Aesthetics 333
- The Slapstick of Greater Mexico: The Poetics and Politics of Eugenio Derbez 351
- Interpersonal and Social Sensibility in Slapstick from the Perspective of Religious History 367
-
Part VI: Sticking to the Slap: The Contact Points of Slapstick
- Closing Remarks: Creating Openings 389
- Each One, Who Falls – A Conversation 391
- Contributors 407
- Index 411