Contents

Chapters in this book

1. Frontmatter i
2. Tabula Gratulatoria vi
3. Acknowledgements ix
4. Contents xi
5. Monika Fludernik and the Invitation to Do Things with Narrative 1
6. Perspectives on Narrative and Mood 15
7. Enigmatic Experientiality in the Films of Alfred Hitchcock 29
8. Irony in Jane Austen: A Cognitive- Narratological Approach 43
9. Fictional Minds in Cognitive Narratology 65
10. Dido’s Words: Representing Speech and Consciousness in Ancient and Medieval Narrative 79
11. Narrative Identity and the Early Modern Diary 93
12. The Diachronization of Jane Eyre 109
13. Historiographic Discourse and Narratology: A Footnote to Fludernik’s Work on Factual Narrative 125
14. Multimodal You: Playing with Direct Address in Contemporary Narrative Television 141
15. How to Stay Healthy and Foster Well-Being with Narratives, or: Where Narratology and Salutogenesis Could Meet 157
16. Muße, Work, and Free Time: Nineteenth- Century Visions of the Non-Alienated Life 187
17. The Intermediate State between Good and Bad Company: Managing Leisure in Frances Brooke’s The Excursion 205
18. Out of the Dungeon, into the World: Aspects of the Prison Novel in Emma Donoghue’s Room 219
19. Epilogue: Notes on a Possible History of Reception – From Stanzel to Fludernik 241
20. Contributors 245