A Known Unknown in Pompeian Graffiti?

Chapters in this book

1. Frontmatter I
2. Table of Contents VII
3. Editors’ Preface IX
4. Prologue 1
5. Mythical and Literary Genealogies: Aeneas and the Trojan Line in Homer, Ennius and Virgil 3
6. Reading Virgil and His Trees: The Alder and the Poplar Tree in Catullus and Virgil 17
7. A Known Unknown in Pompeian Graffiti? 29
8. Dido’s furtiuuus amor (Virgil, Aeneid 4.171–2) 41
9. Genre, Gender, and the Etymology Behind the Phrase Lugentes campi at Aeneid 6.441 51
10. Saepe stilum uertas: Moral and Metrical Missteps in Horace’s Satires 63
11. The Reception of Horace Odes 2.4 in Horace Odes 2.5 75
12. Beatus ille qui procul … otiis?: Ovid’s Rustication Cure (Remedia amoris 169–98) 89
13. Envy and Closure in the Greek Anthology 101
14. Some Second Poems: Theocritus, Virgil, Tibullus 117
15. The Horatianism of Marvell’s “Horatian Ode” 131
16. Masters of War: Virgil, Horace, Owen, Pound, Trumbo, Dylan and the Art of Reference 147
17. Works Cited 169
18. Notes on Contributors 185
19. Index of Passages Discussed 187
20. Index Rerum 189