Contents

Chapters in this book

1. Frontmatter 1
2. Contents 3
3. Foreword 7
4. Introduction 11
5. Exploring the Unknown 17
6. Composing
7. you are variations: An On-Going Series of Events 27
8. An Unusual and Extravagant Interpretation of Our Data 28
9. Art-Science and (Re)Making Worlds: Shaping Knowledge, Transforming Subjects, Challenging Institutions 45
10. Embodying
11. Processing Brainwaves into Pixels and Haptic Feedback: This Is Not A Quilt 57
12. Other Ways to Approach Problems and Their Solutions 58
13. Creative Incubators for a Common Culture 71
14. Explaining the Edge
15. Thoughts on Self-Representation in Art 87
16. A Looping System Forth — Which Art Making and Research Always Will Be! 88
17. Art and Anthropology 109
18. Neglecting
19. Adaption 129
20. Conceptual Art and Its Links to What We Do 130
21. Overlapping Waves and New Knowledge Difference, Diffraction, and the Dialog between Art and Science 141
22. Dreaming
23. A Poet Goes to Work at a Sleep Laboratory: A Journal in Five Parts 153
24. Jumping Past the Barriers of Language 154
25. Inventive Experimentation: Weird Science, Affectivity and Archives of the Future 171
26. Rhythm Making
27. Heart Culture 187
28. Our Everyday World Received an Additional, Literally Unheard Dimension of Sound 188
29. Biomediality and Art 201
30. Hovering
31. Telemonies — Walking Through the Eigenplot 221
32. The Bigger the Apparent “Distance” between the Disciplines, the Greater the Surprises 222
33. Aesthetic Difference: On the “Wisdom” of the Arts 235
34. Modeling
35. Recomposing Snow 251
36. Approaching Snow from an Aesthetic and a Pragmatic Perspective 252