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Petronian Spectacles: The Widow of Ephesus Generically Revisited

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Roman Drama and its Contexts
This chapter is in the book Roman Drama and its Contexts
© 2016 Walter de Gruyter GmbH, Berlin/Munich/Boston

© 2016 Walter de Gruyter GmbH, Berlin/Munich/Boston

Chapters in this book

  1. Frontmatter I
  2. Preface VII
  3. Table of Contents IX
  4. Introduction: Roman Drama and its Contexts 1
  5. Part I: Roman Comedy
  6. Some Dramatic Terminology 13
  7. Bacchus in Roman Drama 25
  8. Speculating in Unreal Estate: Locution, Locution, Locution 43
  9. The Kings of Comedy 67
  10. Genre and Social Class, or Comedy and the Rhetoric of Self-aggrandisement and Self-deprecation 97
  11. Sententiousness in Roman Comedy – A Moralising Reading 127
  12. Plautus’ Aulularia and Popular Narrative Tradition 143
  13. Plautus Undoing Himself – What is Funny and What is Plautine in Stichus and Trinummus? 167
  14. Prologues between Performance and Fiction 203
  15. All’s Well That Ends Well? Old Fools, Morality, and Epilogues in Plautus 215
  16. Plautus’ Curculio and the Case of the Pious Pimp 231
  17. The Young Man in Plautus’ Asinaria 127–248 253
  18. Civic Reassignment of Space in the Truculentus 263
  19. Nothing to do with Fides? The Speaker of the Prologue and the Reproduction of Citizenship in Plautus’ Casina 275
  20. Symmetrical Recognitions in Plautus’ Epidicus 289
  21. Basket Case: Material Girl and Animate Object in Plautus’s Cistellaria 299
  22. Elements of Pantomime in Plautus’ Comedies 317
  23. Part II: Roman Tragedy
  24. History and Philosophy in Roman Republican Drama and Beyond 331
  25. Music in Roman Tragedy 345
  26. Seneca, Horace and the Poetics of Transgression 363
  27. Tragic Translatio: Epistle 107 and Senecan Tragedy 379
  28. Seneca’s Agamemnon: Mycenaean Becoming Trojan 395
  29. When Reason Surrenders its Authority: Thyestes’ Approach to Atreus’ Palace 411
  30. History as Intertext and Intertext as History in the Octavia 417
  31. Part III: Reception of Comedy and Tragedy
  32. Terence and Satire 435
  33. How to Do Things with Words – and Pictures: Text and Image in the Parisian Terence 453
  34. Is the Story of Susanna and the Elders Based on a Greek New Comedy? 471
  35. Terence’s Comedies in the Terentius Christianus: The Case of Naaman 489
  36. Petronian Spectacles: The Widow of Ephesus Generically Revisited 505
  37. Furor and Kin(g)ship in Seneca’s Thyestes and Valerius Flaccus’ Argonautica (1.700–850) 533
  38. Noises Off: The Thyestes Theme in Tacitus’ Dialogus 555
  39. Seneca’s Ted Hughes 573
  40. Seneca’s Thyestes: Three Female Translators into English 585
  41. Notes on Contributors 601
  42. General Index 607
  43. Index locorum 617
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