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Petronian Spectacles: The Widow of Ephesus Generically Revisited
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Chapters in this book
- Frontmatter I
- Preface VII
- Table of Contents IX
- Introduction: Roman Drama and its Contexts 1
-
Part I: Roman Comedy
- Some Dramatic Terminology 13
- Bacchus in Roman Drama 25
- Speculating in Unreal Estate: Locution, Locution, Locution 43
- The Kings of Comedy 67
- Genre and Social Class, or Comedy and the Rhetoric of Self-aggrandisement and Self-deprecation 97
- Sententiousness in Roman Comedy – A Moralising Reading 127
- Plautus’ Aulularia and Popular Narrative Tradition 143
- Plautus Undoing Himself – What is Funny and What is Plautine in Stichus and Trinummus? 167
- Prologues between Performance and Fiction 203
- All’s Well That Ends Well? Old Fools, Morality, and Epilogues in Plautus 215
- Plautus’ Curculio and the Case of the Pious Pimp 231
- The Young Man in Plautus’ Asinaria 127–248 253
- Civic Reassignment of Space in the Truculentus 263
- Nothing to do with Fides? The Speaker of the Prologue and the Reproduction of Citizenship in Plautus’ Casina 275
- Symmetrical Recognitions in Plautus’ Epidicus 289
- Basket Case: Material Girl and Animate Object in Plautus’s Cistellaria 299
- Elements of Pantomime in Plautus’ Comedies 317
-
Part II: Roman Tragedy
- History and Philosophy in Roman Republican Drama and Beyond 331
- Music in Roman Tragedy 345
- Seneca, Horace and the Poetics of Transgression 363
- Tragic Translatio: Epistle 107 and Senecan Tragedy 379
- Seneca’s Agamemnon: Mycenaean Becoming Trojan 395
- When Reason Surrenders its Authority: Thyestes’ Approach to Atreus’ Palace 411
- History as Intertext and Intertext as History in the Octavia 417
-
Part III: Reception of Comedy and Tragedy
- Terence and Satire 435
- How to Do Things with Words – and Pictures: Text and Image in the Parisian Terence 453
- Is the Story of Susanna and the Elders Based on a Greek New Comedy? 471
- Terence’s Comedies in the Terentius Christianus: The Case of Naaman 489
- Petronian Spectacles: The Widow of Ephesus Generically Revisited 505
- Furor and Kin(g)ship in Seneca’s Thyestes and Valerius Flaccus’ Argonautica (1.700–850) 533
- Noises Off: The Thyestes Theme in Tacitus’ Dialogus 555
- Seneca’s Ted Hughes 573
- Seneca’s Thyestes: Three Female Translators into English 585
- Notes on Contributors 601
- General Index 607
- Index locorum 617
Chapters in this book
- Frontmatter I
- Preface VII
- Table of Contents IX
- Introduction: Roman Drama and its Contexts 1
-
Part I: Roman Comedy
- Some Dramatic Terminology 13
- Bacchus in Roman Drama 25
- Speculating in Unreal Estate: Locution, Locution, Locution 43
- The Kings of Comedy 67
- Genre and Social Class, or Comedy and the Rhetoric of Self-aggrandisement and Self-deprecation 97
- Sententiousness in Roman Comedy – A Moralising Reading 127
- Plautus’ Aulularia and Popular Narrative Tradition 143
- Plautus Undoing Himself – What is Funny and What is Plautine in Stichus and Trinummus? 167
- Prologues between Performance and Fiction 203
- All’s Well That Ends Well? Old Fools, Morality, and Epilogues in Plautus 215
- Plautus’ Curculio and the Case of the Pious Pimp 231
- The Young Man in Plautus’ Asinaria 127–248 253
- Civic Reassignment of Space in the Truculentus 263
- Nothing to do with Fides? The Speaker of the Prologue and the Reproduction of Citizenship in Plautus’ Casina 275
- Symmetrical Recognitions in Plautus’ Epidicus 289
- Basket Case: Material Girl and Animate Object in Plautus’s Cistellaria 299
- Elements of Pantomime in Plautus’ Comedies 317
-
Part II: Roman Tragedy
- History and Philosophy in Roman Republican Drama and Beyond 331
- Music in Roman Tragedy 345
- Seneca, Horace and the Poetics of Transgression 363
- Tragic Translatio: Epistle 107 and Senecan Tragedy 379
- Seneca’s Agamemnon: Mycenaean Becoming Trojan 395
- When Reason Surrenders its Authority: Thyestes’ Approach to Atreus’ Palace 411
- History as Intertext and Intertext as History in the Octavia 417
-
Part III: Reception of Comedy and Tragedy
- Terence and Satire 435
- How to Do Things with Words – and Pictures: Text and Image in the Parisian Terence 453
- Is the Story of Susanna and the Elders Based on a Greek New Comedy? 471
- Terence’s Comedies in the Terentius Christianus: The Case of Naaman 489
- Petronian Spectacles: The Widow of Ephesus Generically Revisited 505
- Furor and Kin(g)ship in Seneca’s Thyestes and Valerius Flaccus’ Argonautica (1.700–850) 533
- Noises Off: The Thyestes Theme in Tacitus’ Dialogus 555
- Seneca’s Ted Hughes 573
- Seneca’s Thyestes: Three Female Translators into English 585
- Notes on Contributors 601
- General Index 607
- Index locorum 617