4 Comics Narratology
-
Jan-Noël Thon
Abstract
This article provides a broad introduction to comics narratology, the theory and analysis of comics as a narrative form. Focusing more on systematic reconstructions of core theoretical and analytical issues than on extensive surveys of existing research, the article’s three main sections examine (1) the spatial, temporal, causal, and ontological relations between locally represented situations as part of a comic’s global storyworld as a whole as well as how comics may use metalepses that cross or dissolve the borders between ontologically distinct subworlds; (2) the ways in which comics employ various kinds of narrators, combining a range of strategies of narratorial representation that typically take verbal form with a no less broad range of strategies of nonnarratorial representation that typically take verbalpictorial form; and (3) the ways in which comics provide ‘direct access’ to characters’ consciousnesses and minds via a range of narratorial as well as nonnarratorial strategies of subjective representation, which, in combination with strategies of intersubjective and objective representation, lead to occasionally rather complex structures of subjectivity.
Abstract
This article provides a broad introduction to comics narratology, the theory and analysis of comics as a narrative form. Focusing more on systematic reconstructions of core theoretical and analytical issues than on extensive surveys of existing research, the article’s three main sections examine (1) the spatial, temporal, causal, and ontological relations between locally represented situations as part of a comic’s global storyworld as a whole as well as how comics may use metalepses that cross or dissolve the borders between ontologically distinct subworlds; (2) the ways in which comics employ various kinds of narrators, combining a range of strategies of narratorial representation that typically take verbal form with a no less broad range of strategies of nonnarratorial representation that typically take verbalpictorial form; and (3) the ways in which comics provide ‘direct access’ to characters’ consciousnesses and minds via a range of narratorial as well as nonnarratorial strategies of subjective representation, which, in combination with strategies of intersubjective and objective representation, lead to occasionally rather complex structures of subjectivity.
Chapters in this book
- Frontmatter i
- Editors’ Preface v
- Contents vii
- Comics Studies: Survey of the Field 1
-
Part I: Systematic Aspects
- 1 Comics Terminology and Definitions 11
- 2 History, Formats, Genres 35
- 3 Text-Image Relations 81
- 4 Comics Narratology 99
- 5 Seriality 121
- 6 Adaptation 141
-
Part II: Contexts and Themes
- 7 Politics 167
- 8 World-Building 181
- 9 Life Writing 201
- 10 Gender 219
- 11 Queerness 231
- 12 Science Comics 247
- 13 Postcolonial Perspectives 265
- 14 DocuComics in the Classroom 289
-
15 Superheroes
- 15.1 Historical Overview 311
- The Golden Age: Batman 317
- 15.3 The Silver Age: Nick Fury 331
- 15.4 The Dark Age: Superheroes in the 1980s 343
-
Part III: Close Readings
- 16 Richard F. Outcault: The Yellow Kid 361
- 17 George Herriman: Krazy Kat 379
- 18 Winsor McCay: Little Nemo in Slumberland 387
- 19 Dave Sim: Cerebus 405
- 20 Will Eisner: A Contract with God 431
- 21 Raymond Briggs: When the Wind Blows 451
- 22 Art Spiegelman: Maus 467
- 23 Robert Crumb 481
- 24 Alan Moore: From Hell 499
- 25 Neil Gaiman: The Sandman 513
- 26 Alison Bechdel: Dykes to Watch Out For 529
- 27 Chris Ware: Jimmy Corrigan – The Smartest Kid on Earth 545
- 28 Daniel Clowes: Ghost World 561
- 29 Martin Rowson: The Life and Opinions of Tristram Shandy, Gentleman 573
- 30 Marjane Satrapi: Persepolis 589
- 31 Grant Morrison: Flex Mentallo 601
- Index of Subjects 619
- Index of Names 629
- List of Contributors 635
Chapters in this book
- Frontmatter i
- Editors’ Preface v
- Contents vii
- Comics Studies: Survey of the Field 1
-
Part I: Systematic Aspects
- 1 Comics Terminology and Definitions 11
- 2 History, Formats, Genres 35
- 3 Text-Image Relations 81
- 4 Comics Narratology 99
- 5 Seriality 121
- 6 Adaptation 141
-
Part II: Contexts and Themes
- 7 Politics 167
- 8 World-Building 181
- 9 Life Writing 201
- 10 Gender 219
- 11 Queerness 231
- 12 Science Comics 247
- 13 Postcolonial Perspectives 265
- 14 DocuComics in the Classroom 289
-
15 Superheroes
- 15.1 Historical Overview 311
- The Golden Age: Batman 317
- 15.3 The Silver Age: Nick Fury 331
- 15.4 The Dark Age: Superheroes in the 1980s 343
-
Part III: Close Readings
- 16 Richard F. Outcault: The Yellow Kid 361
- 17 George Herriman: Krazy Kat 379
- 18 Winsor McCay: Little Nemo in Slumberland 387
- 19 Dave Sim: Cerebus 405
- 20 Will Eisner: A Contract with God 431
- 21 Raymond Briggs: When the Wind Blows 451
- 22 Art Spiegelman: Maus 467
- 23 Robert Crumb 481
- 24 Alan Moore: From Hell 499
- 25 Neil Gaiman: The Sandman 513
- 26 Alison Bechdel: Dykes to Watch Out For 529
- 27 Chris Ware: Jimmy Corrigan – The Smartest Kid on Earth 545
- 28 Daniel Clowes: Ghost World 561
- 29 Martin Rowson: The Life and Opinions of Tristram Shandy, Gentleman 573
- 30 Marjane Satrapi: Persepolis 589
- 31 Grant Morrison: Flex Mentallo 601
- Index of Subjects 619
- Index of Names 629
- List of Contributors 635
