20. Salman Rushdie, The Satanic Verses (1988)
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Madelena Gonzalez
Abstract
This chapter examines the background and context of Rushdie’s now infamous novel from both a literary and a sociological point of view. It provides a detailed study of the main characters and the complex plot of the novel, in addition to an analysis of the author’s innovative style and narrative technique, based on hybridity and intertextuality. As well as discussing the most controversial aspects of the book, linked to the episode of the “Satanic Verses”, it provides some original insights into its continuing relevance nearly thirty years after its publication. Not only is The Satanic Verses a major literary achievement within the impressive Rushdiean canon but it can also be considered as one of the most significant works of fiction of the late twentieth century.
Abstract
This chapter examines the background and context of Rushdie’s now infamous novel from both a literary and a sociological point of view. It provides a detailed study of the main characters and the complex plot of the novel, in addition to an analysis of the author’s innovative style and narrative technique, based on hybridity and intertextuality. As well as discussing the most controversial aspects of the book, linked to the episode of the “Satanic Verses”, it provides some original insights into its continuing relevance nearly thirty years after its publication. Not only is The Satanic Verses a major literary achievement within the impressive Rushdiean canon but it can also be considered as one of the most significant works of fiction of the late twentieth century.
Chapters in this book
- Frontmatter I
- Editors’ Preface V
- Contents VII
- 0. Introduction 1
-
Part I. Systematic Questions
- 1. The English Novel as a Distinctly Modern Genre 23
- 2. The Novel in the Economy, 1900 to the Present 42
- 3. Genres: The Novel between Artistic Ambition and Popularity 64
- 4. Gender: Performing Politics in Prose? Performativity – Masculinity – Feminism – Queer 82
- 5. The Burden of Representation: Reflections on Class, Ethnicity and the Twentieth-Century British Novel 107
-
Part II. Close Readings
- 6. Joseph Conrad, Heart of Darkness (1899/1902) 133
- 7. James Joyce, Ulysses (1922) 152
- 8. E. M. Forster, A Passage to India (1924) 175
- 9. Virginia Woolf, To the Lighthouse (1927) 195
- 10. Aldous Huxley, Brave New World (1932) 213
- 11. Henry Green, Party Going (1939) 232
- 12. Samuel Beckett, Molloy, Malone Dies and The Unnamable (1951–1958) 252
- 13. Sam Selvon, The Lonely Londoners (1956) 268
- 14. Doris Lessing, The Golden Notebook (1962) 288
- 15. John Fowles, The French Lieutenant’s Woman (1969) 303
- 16. B. S. Johnson, The Unfortunates (1969) 323
- 17. J. G. Farrell, The Empire Trilogy (1970–1978) 344
- 18. William Golding, Darkness Visible (1979) 365
- 19. Angela Carter, Nights at the Circus (1984) 384
- 20. Salman Rushdie, The Satanic Verses (1988) 403
- 21. Jeanette Winterson, Sexing the Cherry (1989) 424
- 22. A. S. Byatt, Possession (1990) 445
- 23. Philip Pullman, His Dark Materials (1995–2000) 461
- 24. Zadie Smith, White Teeth (2000) 481
- 25. David Mitchell, Cloud Atlas (2004) 498
- 26. China Miéville, Embassytown (2011) 518
- 27. Hilary Mantel, The Thomas Cromwell Trilogy (2009–) 536
- 28. Tom McCarthy, Satin Island (2015) 555
- Index of Subjects 575
- Index of Names 592
- List of Contributors 603
Chapters in this book
- Frontmatter I
- Editors’ Preface V
- Contents VII
- 0. Introduction 1
-
Part I. Systematic Questions
- 1. The English Novel as a Distinctly Modern Genre 23
- 2. The Novel in the Economy, 1900 to the Present 42
- 3. Genres: The Novel between Artistic Ambition and Popularity 64
- 4. Gender: Performing Politics in Prose? Performativity – Masculinity – Feminism – Queer 82
- 5. The Burden of Representation: Reflections on Class, Ethnicity and the Twentieth-Century British Novel 107
-
Part II. Close Readings
- 6. Joseph Conrad, Heart of Darkness (1899/1902) 133
- 7. James Joyce, Ulysses (1922) 152
- 8. E. M. Forster, A Passage to India (1924) 175
- 9. Virginia Woolf, To the Lighthouse (1927) 195
- 10. Aldous Huxley, Brave New World (1932) 213
- 11. Henry Green, Party Going (1939) 232
- 12. Samuel Beckett, Molloy, Malone Dies and The Unnamable (1951–1958) 252
- 13. Sam Selvon, The Lonely Londoners (1956) 268
- 14. Doris Lessing, The Golden Notebook (1962) 288
- 15. John Fowles, The French Lieutenant’s Woman (1969) 303
- 16. B. S. Johnson, The Unfortunates (1969) 323
- 17. J. G. Farrell, The Empire Trilogy (1970–1978) 344
- 18. William Golding, Darkness Visible (1979) 365
- 19. Angela Carter, Nights at the Circus (1984) 384
- 20. Salman Rushdie, The Satanic Verses (1988) 403
- 21. Jeanette Winterson, Sexing the Cherry (1989) 424
- 22. A. S. Byatt, Possession (1990) 445
- 23. Philip Pullman, His Dark Materials (1995–2000) 461
- 24. Zadie Smith, White Teeth (2000) 481
- 25. David Mitchell, Cloud Atlas (2004) 498
- 26. China Miéville, Embassytown (2011) 518
- 27. Hilary Mantel, The Thomas Cromwell Trilogy (2009–) 536
- 28. Tom McCarthy, Satin Island (2015) 555
- Index of Subjects 575
- Index of Names 592
- List of Contributors 603