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Moving Speech
The Body of Language in Embodiment Theories and Rhetoric
-
Sabine Marienberg
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Chapters in this book
- Frontmatter I
- CONTENTS V
- Preface VII
- On Warburg, Bildakt and Embodiment IX
-
I. Bildakt (Picture Act)
- The Picture Act: Tradition, Horizon, Philosophy 3
- Extended Imagery, Extended Access, Or Something Else? 33
- Bildakt Demystified 51
- Picture Act Method 69
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II. Traditions
- Though This Be Madness: Edgar Wind and the Warburg Tradition 87
- “Ein Geistvoller Amerikaner” 117
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III. The Acting Body
- Moving Speech 139
- “Not Only from his Hand But Also From his Temper” 151
- Haptic Perception in Mattia Preti’s Doubting Thomas (1635/40) 171
- The Cathedral of Santiago de Compostela as a Tactile Theater 189
-
IV. The Living Body
- Bodily Communication in Picture Acts 223
- Life, but not as we Know it 231
- Picture Credits 252
- Backmatter 256
Chapters in this book
- Frontmatter I
- CONTENTS V
- Preface VII
- On Warburg, Bildakt and Embodiment IX
-
I. Bildakt (Picture Act)
- The Picture Act: Tradition, Horizon, Philosophy 3
- Extended Imagery, Extended Access, Or Something Else? 33
- Bildakt Demystified 51
- Picture Act Method 69
-
II. Traditions
- Though This Be Madness: Edgar Wind and the Warburg Tradition 87
- “Ein Geistvoller Amerikaner” 117
-
III. The Acting Body
- Moving Speech 139
- “Not Only from his Hand But Also From his Temper” 151
- Haptic Perception in Mattia Preti’s Doubting Thomas (1635/40) 171
- The Cathedral of Santiago de Compostela as a Tactile Theater 189
-
IV. The Living Body
- Bodily Communication in Picture Acts 223
- Life, but not as we Know it 231
- Picture Credits 252
- Backmatter 256
