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The Ends of Satire
This chapter is in the book The Ends of Satire

Chapters in this book

  1. Frontmatter i
  2. Table of Contents v
  3. Acknowledgments vii
  4. Introduction. Satire around 1800: Jean Paul
  5. 1. Prolegomena 3
  6. 2. The Case of Jean Paul: Unreadable Writing, Unwritable Readings 16
  7. Part One. Inversion
  8. 3. The Carnivalesque in Mikhail Bakhtin’s Rabelais and His World (1965) 45
  9. 4. Perspective and Repetition in Thomas Bernhard’s Woodcutters (1984) 62
  10. 5. Destructive Negativity: Thomas Bernhard and Extinction (1986) 80
  11. Part Two. Mythification
  12. 6. Between Theory and Literature: Roland Barthes’ Mythologies (1957) 101
  13. 7. Elfriede Jelinek’s Mythic Lust (1989) 119
  14. 8. Viennese Paradigms in Elfriede Jelinek’s The Piano Teacher (1983) 136
  15. Part Three. Citation
  16. 9. From Stage to Page: Judith Butler and Gender Trouble (1990) 157
  17. 10. Performing Theory in Literature: Thomas Meinecke’s Tomboy (1998) 170
  18. 11. Infinite Paradise of the Infinite Text: Thomas Meinecke’s Music (2004) 192
  19. Conclusion. Satire after Satire
  20. Bibliography 207
  21. Index 227
https://doi.org/10.1515/9783110359534.toc

Chapters in this book

  1. Frontmatter i
  2. Table of Contents v
  3. Acknowledgments vii
  4. Introduction. Satire around 1800: Jean Paul
  5. 1. Prolegomena 3
  6. 2. The Case of Jean Paul: Unreadable Writing, Unwritable Readings 16
  7. Part One. Inversion
  8. 3. The Carnivalesque in Mikhail Bakhtin’s Rabelais and His World (1965) 45
  9. 4. Perspective and Repetition in Thomas Bernhard’s Woodcutters (1984) 62
  10. 5. Destructive Negativity: Thomas Bernhard and Extinction (1986) 80
  11. Part Two. Mythification
  12. 6. Between Theory and Literature: Roland Barthes’ Mythologies (1957) 101
  13. 7. Elfriede Jelinek’s Mythic Lust (1989) 119
  14. 8. Viennese Paradigms in Elfriede Jelinek’s The Piano Teacher (1983) 136
  15. Part Three. Citation
  16. 9. From Stage to Page: Judith Butler and Gender Trouble (1990) 157
  17. 10. Performing Theory in Literature: Thomas Meinecke’s Tomboy (1998) 170
  18. 11. Infinite Paradise of the Infinite Text: Thomas Meinecke’s Music (2004) 192
  19. Conclusion. Satire after Satire
  20. Bibliography 207
  21. Index 227
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