Rethinking Choregic Iconography in Apulia

Chapters in this book

1. Frontmatter I
2. Table of Contents V
3. Acknowledgements VII
4. Abbreviations and Conventions IX
5. Introduction: Old and New Perspectives on Fourth-Century Theatre 1
6. Section A: Theatre Sites
7. The Theatre of Dionysus Eleuthereus in Athens: New Data and Observations on its ‘Lycurgan’ Phase 15
8. The Archaeology of the ‘Rural’ Dionysia in Attica 77
9. The Evolution of Theatre Architecture Outside Athens in the Fourth Century 107
10. Section B: Tragedy and Comedy
11. How Pots and Papyri Might Prompt a Re-Evaluation of Fourth-Century Tragedy 141
12. Performing Classics: The Tragic Canon in the Fourth Century and Beyond 157
13. Literary Evidence for New Tragic Production: The View from the Fourth Century 189
14. The Evolution of Comedy in the Fourth Century 207
15. Section C: Performance outside Athens
16. Philippus in acie tutior quam in theatro fuit … (Curtius 9, 6, 25): The Macedonian Kings and Greek Theatre 231
17. Theatre, Religion, and Politics at Alexander’s Travelling Royal Court 249
18. Cooking Up Rhesus: Literary Imitation and Its Consumers 275
19. Rethinking Choregic Iconography in Apulia 295
20. Greek Theatre in Non-Greek Apulia 319
21. Regional Theatre in the Fourth Century. The Evidence of Comic Figurines of Boeotia, Corinth and Cyprus 333
22. Theatre in the Fourth-Century Black Sea Region 371
23. Section D: Finance and Records in Athens
24. The Finance and Organisation of the Athenian Theatre in the Time of Eubulus and Lycurgus 393
25. Inscribed Public Records of the Dramatic Contests at Athens: IG II² 2318–2323a and IG II² 2325 425
26. Plates 447
27. Illustration Credit 465
28. Bibliography 467
29. Indices 527
30. List of Contributors 575