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Front Matter Volume 2

  • Michael Falser
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© 2020 Walter de Gruyter GmbH, Berlin/Munich/Boston

© 2020 Walter de Gruyter GmbH, Berlin/Munich/Boston

Chapters in this book

  1. Volume 1: Angkor in France. From Plaster Casts to Exhibition Pavilions
  2. Front Matter Volume 1 I
  3. Table of Contents Volume 1 V
  4. Acknowledgements XI
  5. Introduction 1
  6. I. Lost in Translation? The Mekong Mission of 1866 and the Plaster Casts from Angkor at the Parisian Universal Exhibition of 1867 57
  7. II. La Porte d’Entrée from Ethnography to Art: Delaporte’s Missions to Angkor, his Musée Khmer and the Universal Exhibition of 1878 89
  8. III. Staging Angkor in the Museum 125
  9. IV. The Universal Exhibition of 1889 in Paris: Angkor Wat Goes Pavilion 189
  10. V. The Rise of Angkor in the French Peripheries 1894—1906: From Lyon, Bordeaux, and Rouen to Marseille 217
  11. VI. Representing Angkor as a French patrimoine: The National Colonial Exhibition of Marseille 1922 247
  12. VII. Going Real Size: Angkor Wat and the 1931 Exposition Coloniale Internationale in Paris 281
  13. VIII. The End of a Seventy-Year Career in France: Angkor at the 1937 Exposition Internationale in Paris 341
  14. Findings and Conclusions for Volume 1 391
  15. Epilogue to Volume 1 407
  16. Plates 425
  17. Volume 2: Angkor in Cambodia. From Jungle Find to Global Icon
  18. Front Matter Volume 2 I
  19. Table of Contents Volume 2 V
  20. IX. The French-colonial Making of the Parc Archéologique d’Angkor 1
  21. X. Performing Grandeur — Re-enacting Angkor. Cambodia’s Independence 1953—1970 under Norodom Sihanouk 153
  22. XI. Making Angkor Global (1970—1990): Hot and Cold War Politics, Competing Inheritance Claims and the Invention of Angkor as Heritage of Humanity 235
  23. XII. Angkor as UNESCO World Heritage: The Decisive Years 1987—1993 323
  24. Findings and Conclusions for Volume 2 387
  25. Epilogue to Volume 2 405
  26. Plates 455
  27. Bibliography 577
  28. Index 623
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