Volume 4 2014
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Edited by:
Günter Berghaus
About this book
The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism.
Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.
Author / Editor information
Günter Berghaus, University of Bristol, UK.
Supplementary Materials
Topics
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Frontmatter
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Contents
v -
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Editorial
ix - Section 1: Critical responses to Exhibitions, conferences and publications
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The Legacy and Topicality of Futurism
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The Centenary of 1913, or Russian Futurism ‘as such’
7 -
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Almada Negreiros: A Futurist Poet, and Much More
21 -
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La poética de la vanguardia
27 -
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Sound and Silence in Futurist Poetry
31 -
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Marinetti i futuryzm w Polsce
36 -
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Action / Reaction: Futurism in Belgium and Europe
44 -
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Futurism and Modernist Magazines
49 -
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New Research into Anarchism and Futurism
61 - Section 2: Research Reports on Countries and Artistic Disciplines
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French Research on Literary Futurism
71 - Section 3: Caricatures and Satires of Futurism in the Contemporary Press
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A “Hypermodern” Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912)
87 -
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A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923)
91 -
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The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison’s Caricature, “The New Terror”
95 -
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A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun
99 -
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The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen’ Debate
103 -
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A Caricature of Futurism in the New York Sun (1914)
107 -
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Marinetti’s Visit to Cairo in December 1929: Kimon Evan Marengo’s caricatures in Maalesh
111 - Section 4: Futurism Studies
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The Reception of Futurism in France (1909–1912)
117 -
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Mallarmé and His Futurist ‘Heir’ Marinetti
134 -
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Futurism in the Netherlands, 1909–1940
165 -
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No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia
202 -
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The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia Giulia
230 -
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Kara-Darvish and Armenian Futurism
263 -
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The Reception of Italian Futurism in Hungarian Painting and Literature
301 -
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The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after
328 -
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Bartolomé Galíndez’s Magazine, Los raros: A ‘Symbolist’ Fusion of Futurism and Ultraism
360 -
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Futurist Influences in the Work of Guillermo de Torre
389 -
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The Reception of Futurism in Greece and Marinetti’s Visit to Athens (1933)
421 -
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Theodor Däubler: A Mediator between Florentine Futurism and German Modernism
450 -
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Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon Coburn
477 - Section 5: Bibliography
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A Bibliography of Publications on Futurism, 2011–2013
507 - Section 6: Back Matter
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List of Illustrations and Provenance Descriptions
537 -
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Notes on Contributors
541 -
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Name Index
547 -
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Subject Index
583 -
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Geographical Index
609
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