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9. Resonating humour – A corpus-based approach to creative parallelism in dialogue

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Creativity and the Agile Mind
This chapter is in the book Creativity and the Agile Mind

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Part I: Introduction
  4. 1. Creativity and the Agile Mind 15
  5. 2. E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound 37
  6. Part II: Computers and Creativity
  7. 3. Computers and Creativity 61
  8. 4. Gravital: natural language processing for computer graphics 81
  9. 5. Talking Points in Linguistic Creativity 99
  10. Part III: Verbal Communication
  11. 6. Creatively Exploiting Linguistic Norms 119
  12. 7. Online semantic creativity in parliamentary debates 139
  13. 8. Yo, who be the main gangsta in our phat gang? – Linguistic creativity and the construction of hyperpersonal identity 159
  14. 9. Resonating humour – A corpus-based approach to creative parallelism in dialogue 181
  15. 10. A Cognitive Grammar of Creativity 205
  16. Part IV: Visual Communication
  17. 11. Creativity in the forms and functions of spontaneous gestures with speech 231
  18. 12. Creative visual duality in comics balloons 253
  19. 13. Creativity in Comics. Exploring the Frontiers of the Medium by Respecting Explicit Self- Imposed Constraints 275
  20. 14. On verbal irony, images and creativity: A corpus-analytic approach 293
  21. Part V: Musical Performance
  22. 15. Multimodal blending and musical creativity. Dualities in the quixotry of Richard Strauss, Jan Sandström and Christian Lindberg 315
  23. 16. The Agile Musical Mind: mapping the musician’s act of creation 335
  24. 17. Timbre Networks: An approach to Composition and Performance in Computer Music 355
  25. Index 375
https://doi.org/10.1515/9783110295290.181

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Part I: Introduction
  4. 1. Creativity and the Agile Mind 15
  5. 2. E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound 37
  6. Part II: Computers and Creativity
  7. 3. Computers and Creativity 61
  8. 4. Gravital: natural language processing for computer graphics 81
  9. 5. Talking Points in Linguistic Creativity 99
  10. Part III: Verbal Communication
  11. 6. Creatively Exploiting Linguistic Norms 119
  12. 7. Online semantic creativity in parliamentary debates 139
  13. 8. Yo, who be the main gangsta in our phat gang? – Linguistic creativity and the construction of hyperpersonal identity 159
  14. 9. Resonating humour – A corpus-based approach to creative parallelism in dialogue 181
  15. 10. A Cognitive Grammar of Creativity 205
  16. Part IV: Visual Communication
  17. 11. Creativity in the forms and functions of spontaneous gestures with speech 231
  18. 12. Creative visual duality in comics balloons 253
  19. 13. Creativity in Comics. Exploring the Frontiers of the Medium by Respecting Explicit Self- Imposed Constraints 275
  20. 14. On verbal irony, images and creativity: A corpus-analytic approach 293
  21. Part V: Musical Performance
  22. 15. Multimodal blending and musical creativity. Dualities in the quixotry of Richard Strauss, Jan Sandström and Christian Lindberg 315
  23. 16. The Agile Musical Mind: mapping the musician’s act of creation 335
  24. 17. Timbre Networks: An approach to Composition and Performance in Computer Music 355
  25. Index 375
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