Regarding the Popular
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Edited by:
Sascha Bru
, Laurence van Nuijs , Benedikt Hjartarson , Peter Nicholls , Tania Ørum and Hubert van den Berg
About this book
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.
Author / Editor information
Sascha Bru and Laurence van Nuijs, Katholieke Universiteit Leuven, Belgium; Benedikt Hjartarson, University of Iceland; Peter Nicholls, New York University, USA; Tanja Ørum, University of Copenhagen, Denmark; Hubert van den Berg, Adam Mickiewicz University, Poznań, Poland.
Topics
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Frontmatter
I -
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About the Series / Sur la collection / Zur Buchreihe
V -
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Contents
IX - Introduction
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Given the Popular
3 - Terms and Canons
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“The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art
13 -
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Instrument of Inspiration: High/Low Illusions in British Experimental Music and After
33 -
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English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension
44 -
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Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide
57 -
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Art, Nation and Political Discourse
69 -
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Culture en quête de repères
84 - Folklore
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Dada, Carnival and Revolution
99 -
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Spuren der Volksdichtung in der ungarischen Avantgardeliteratur
115 -
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Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song
129 -
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What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry
142 -
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Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik
160 -
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The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination
175 - The Everyday
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Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau
191 -
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Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou
205 -
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Entre mime et possession: récits surréalistes et fictions populaires
215 -
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The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar
227 -
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“Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s
240 -
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The “Abakans” and the Feminist Revolution
253 -
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A Glossier Shade of Brown: Imi Knoebel's Raum 19
266 - Commerce
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Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde
281 -
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Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers
293 -
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Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris
306 -
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Between the Old and the New: The Surrealist Outmoded as a Radical Third Term
321 -
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„The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung?
338 - Media
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Lessons from the Press: Picasso and Mass Print Media, 1911-37
363 -
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Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25)
379 -
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„Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst
394 -
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Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37)
410 -
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A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s
425 -
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Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s
445 -
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A Tentative Embrace. Superstudio's New Media Nomads
458 -
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Index
471
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