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Musikalische Norm um 1700
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Edited by:
Rainer Bayreuther
Language:
German
Published/Copyright:
2010
About this book
This book explores the changes of style and knowledge about music around 1700 in eleven essays from musicology, literary studies, philosophy and legal history. The key to the change is a new understanding of the rules for composing, making music and listening. Music is no longer steered by fundamental natural musical laws, but rather orients itself, even normatively, toward trends, taste and situational circumstances.
Author / Editor information
Rainer Bayreuther, Universität Halle (Saale).
Topics
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Frontmatter
I -
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Inhalt
V -
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Einleitung
1 -
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Perspektiven des Normbegriffs für die Erforschung der Musik um 1700
5 -
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Galante Geltung
63 -
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Rules, License and Taste in 17th-Century French Music Theory: From Mersenne to Rameau
81 -
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»Musicus ecclecticus«
97 -
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›Humane Nature‹ und Musik bei Roger North
109 -
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›Regel‹ versus ›Geschmack‹
117 -
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Johann David Heinichen und der »Musicalische Horribilicribrifax«
145 -
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Das Erwecken von »allerhand Regungen« in Telemanns Kirchenmusik und die Fuge
167 -
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Die normative Struktur des decorum
183 -
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Normvermittlung bei Christian Thomasius
203 -
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›Varietas‹ – ›Artifizialität‹ – ›Irregolarità‹
215 -
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Backmatter
229
Publishing information
Pages and Images/Illustrations in book
eBook published on:
October 28, 2010
eBook ISBN:
9783110233452
Hardcover published on:
October 15, 2010
Hardcover ISBN:
9783110233445
Pages and Images/Illustrations in book
Front matter:
6
Main content:
233
Audience(s) for this book
Germanisten, Literaturwissenschaftler, Musikwissenschaftler, Bibliotheken, Institute
Safety & product resources
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Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
productsafety@degruyterbrill.com
