‘Stimmung’: The Emergence of a Concept and Its Modifications in Psychology and Physiology

Chapters in this book

1. Frontmatter i
2. Preface and Acknowledgments v
3. Table of Contents vii
4. I. Theoretical Frameworks: Models for the Study of Culture
5. Travelling Concepts as a Model for the Study of Culture 1
6. Translation – A Concept and Model for the Study of Culture 23
7. Cultural Transfer 45
8. Emergence as a Model for the Study of Culture 67
9. II. KEY CONCEPTS FOR THE STUDY OF CULTURE
10. The Underlying Logic of the Study of Culture 85
11. Culture as Text: Reading and Interpreting Cultures 99
12. Metaphorical Anastomoses: The Concept of ‘Network’ and its Origins in the Nineteenth Century 119
13. Narrativist Approaches and Narratological Concepts for the Study of Culture 145
14. Identity, Alterity and the Work of the Narrative: A Transdisciplinary Discourse Report 185
15. Gender as a Travelling Concept: A Feminist Perspective 205
16. Cultural Memory and Memory Cultures 225
17. Performativity and Performance 249
18. ‘Stimmung’: The Emergence of a Concept and Its Modifications in Psychology and Physiology 267
19. Visuality and Visual Culture 291
20. Space and Cultural Geography 307
21. From Media Anthropology to Media Ecology 321
22. Mass Media, Media Culture and Mediatisation 337
23. Material Culture and Materiality 353
24. Transnational and Global Perspectives as Travelling Concepts in the Study of Culture 371
25. Conceptual Transfer: A Cognitive Approach to the Construction, Re-Interpretation and Re-Contextualisation of Academic Concepts 389
26. Notes on Contributors 411