Das Originale der Kopie
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Edited by:
Tatjana Bartsch
About this book
The intention of this volume is to investigate into the dimensions of the cultural practice of the copying of ancient art. Copies as the primary ‒ the original? ‒ that claims to be the secondary are the motor of a range of processes of cultural exchange in which highly varied content and messages were traded and communicated. As products and media of the transformation of antiquity, copies “bring to life” the circumstances of a seemingly simple reception of antiquity.
Author / Editor information
Tatjana Bartsch, Marcus Becker, Horst Bredekamp und Charlotte Schreiter, Humboldt-Universität zu Berlin.
Reviews
"Le solide premesse teoriche esplicitate dai curatori fanno sì che il volume, nel suo complesso, sia ricco di interventi anche molto vari, ma sempre coerenti, pertinenti e stimolanti."
Claudio Franzoni in: BMCR 2011.05.27
Topics
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Frontmatter
I -
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Inhalt
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Vorwort
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Das Originale der Kopie. Eine Einführung
1 -
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The Originality of Copies. An Introduction
27 - Kopien bewegen Originale
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Neue Originale. Medienpluralität in der Klassischen Archäologie des 19. Jahrhunderts
47 -
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»Figures d’anticquaiges« Frühe Antikenkopien nördlich der Alpen
69 -
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Die ›tröstende‹ Kopie. Antonio Canovas ›Neue Klassiker ‹und der Napoleonische Kunstraub
91 -
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Verweigerte Rezeption. Zur Wirkungsgeschichte der ›Leda des Timotheos‹
117 - Kopien konstituieren Originale
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Staging Neoclassicism. Antonio Canova’s Exhibition Strategies for Triumphant Perseus
139 -
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Alte und neue ›Originale‹. Zu den Marmorergänzungen der Rauch-Werkstatt in der Berliner Antikensammlung
165 -
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Original Rom? Das Originale der Rekonstruktion in Piranesis Antichità Romane
191 -
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Reconstructing Antiquity in the 1770s: The Decoration of Pliny the Younger’s Villa Maritima in Count Stanislaus K. Potocki’s Vision
223 - Kopien werden Originale
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Rubens, the Antique, and Originality Redrawn
249 -
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Kopiert und eigenständig. Friedrich Wilhelm Doells Aegyptiaca für das Wörlitzer Pantheon und Martin Gottlieb Klauers Portraitstatue des Fritz von Stein
269 -
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A Genre of Copies and Copying? The Eighteenth-Century Portrait Bust and Eighteenth-Century Responses to Antique Sculpture
289 -
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Transformationen der Antike in der zeitgenössischen Kunst
313 -
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Backmatter
329
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10785 Berlin
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