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Metaphor and figure-ground relationship: comparisons from poetry, music, and the visual arts
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Chapters in this book
- Frontmatter i
- Table of contents v
- Cognitive poetics. A critical introduction 1
-
Part I: Story
- Text worlds 33
- Cognitive approaches to narrative analysis 79
- Reflections on a cognitive stylistic approach to characterisation 125
-
Part II: Figure
- Minding: feeling, form, and meaning in the creation of poetic iconicity 169
- Metaphor and figure-ground relationship: comparisons from poetry, music, and the visual arts 237
-
Part III: Stance
- Deconstructing verbal humour with Construction Grammar 289
- Judging distances: mental spaces, distance, and viewpoint in literary discourse 319
- Does an “ironic situation” favor an ironic interpretation? 383
-
Part IV: Critique
- How cognitive is cognitive poetics? The interaction between symbolic and embodied cognition 423
- Epilogue. How (not) to advance toward the narrative mind 455
- Backmatter 533
Chapters in this book
- Frontmatter i
- Table of contents v
- Cognitive poetics. A critical introduction 1
-
Part I: Story
- Text worlds 33
- Cognitive approaches to narrative analysis 79
- Reflections on a cognitive stylistic approach to characterisation 125
-
Part II: Figure
- Minding: feeling, form, and meaning in the creation of poetic iconicity 169
- Metaphor and figure-ground relationship: comparisons from poetry, music, and the visual arts 237
-
Part III: Stance
- Deconstructing verbal humour with Construction Grammar 289
- Judging distances: mental spaces, distance, and viewpoint in literary discourse 319
- Does an “ironic situation” favor an ironic interpretation? 383
-
Part IV: Critique
- How cognitive is cognitive poetics? The interaction between symbolic and embodied cognition 423
- Epilogue. How (not) to advance toward the narrative mind 455
- Backmatter 533