Realism as a Poetics of Observation. The Function of Narrative Perspective in the Classic French Novel: Flaubert-Stendhal-Balzac

Chapters in this book

1. Frontmatter I
2. Contents IX
3. Surveying Narratology 1
4. Narrativity and Eventfulness 17
5. Narratology and the Narrative 35
6. Narratology as Discipline: A Case for Conceptual Fundamentalism 55
7. On the Semiotic Parameters of Narrative: A Critique of Story and Discourse 73
8. Realism as a Poetics of Observation. The Function of Narrative Perspective in the Classic French Novel: Flaubert-Stendhal-Balzac 99
9. On the Relationship between the Theory of the Novel, Narrative Theory, and Narratology 137
10. The Systematic Place of Narratology in Literary Theory and Textual Theory 175
11. Narrative Theory and/or/as Theory of Interpretation 205
12. Narratology and Theory of Fiction: Remarks on a Complex Relationship 221
13. Narratology or Narratologies? Taking Stock of Recent Developments, Critique and Modest Proposals for Future Usages of the Term 239
14. Narratology and Cognitive Reception Theories 277
15. Regrounding Narratology: The Study of Narratively Organized Systems for Thinking 303
16. Narrative Cartography: Toward a Visual Narratology 333
17. Backmatter 365