Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
7. THEATRICAL VISION
-
Anthony Vidler
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter 1
- CONTENTS 5
- PREFACE 6
- INTRODUCTION 8
-
PART I: A CAREER OPEN TO TALENT, 1760–1789
- 1. CLASSICAL MAXIMS 16
- 2. EMBLEMS OF NOBILITY 24
- 3. PUBLIC ADMINISTRATION 34
- 4. THE ARCHITECTURE OF PRODUCTION 40
- 5. LANGUAGES OF CHARACTER 68
- 6. GALLO-ROMAN ANTIQUITY 78
- 7. THEATRICAL VISION 82
- 8. PHYSIOGNOMIES OF JUSTICE 94
- 9. THE PROPYLAEA OF PARIS 106
-
PART II: FROM NEW TOWN TO UTOPIA, 1776–1806
- 10. PHYSIOCRATIC REGIONALISM 118
- 11. AGRONOMIC ARCHITECTURE 128
- 12. TEMPLES OF SOCIABILITY 134
- 13. UTOPIA OR REVOLUTION 146
- CONCLUSION: L’ARCHITECTE MAUDIT 164
- NOTES 172
- CHRONOLOGY 176
- BIBLIOGRAPHY 178
- INDEX OF PERSONS 180
- INDEX OF LOCATIONS AND PROJECTS 182
- ABOUT THE AUTHOR 183
- ILLUSTRATION CREDITS 184
Kapitel in diesem Buch
- Frontmatter 1
- CONTENTS 5
- PREFACE 6
- INTRODUCTION 8
-
PART I: A CAREER OPEN TO TALENT, 1760–1789
- 1. CLASSICAL MAXIMS 16
- 2. EMBLEMS OF NOBILITY 24
- 3. PUBLIC ADMINISTRATION 34
- 4. THE ARCHITECTURE OF PRODUCTION 40
- 5. LANGUAGES OF CHARACTER 68
- 6. GALLO-ROMAN ANTIQUITY 78
- 7. THEATRICAL VISION 82
- 8. PHYSIOGNOMIES OF JUSTICE 94
- 9. THE PROPYLAEA OF PARIS 106
-
PART II: FROM NEW TOWN TO UTOPIA, 1776–1806
- 10. PHYSIOCRATIC REGIONALISM 118
- 11. AGRONOMIC ARCHITECTURE 128
- 12. TEMPLES OF SOCIABILITY 134
- 13. UTOPIA OR REVOLUTION 146
- CONCLUSION: L’ARCHITECTE MAUDIT 164
- NOTES 172
- CHRONOLOGY 176
- BIBLIOGRAPHY 178
- INDEX OF PERSONS 180
- INDEX OF LOCATIONS AND PROJECTS 182
- ABOUT THE AUTHOR 183
- ILLUSTRATION CREDITS 184