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14 Individual, Collective and Institutional Biographies: The Beasley Collection of Pacific Artefacts

© 2012, Boydell and Brewer

© 2012, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Illustrations vii
  4. Introduction: Museums and Biographies – Telling Stories about People, Things and Relationships 1
  5. Individual Biography and Museum History
  6. 1 A Show of Generosity: Donations and the Intimacy of Display in the ‘Cabinet des médailles et antiques’ in Paris from 1830 to 1930 13
  7. 2 Introducing Mr Moderna Museet: Pontus Hultén and Sweden’s Museum of Modern Art 29
  8. 3 Sydney Pavière and the Harris Museum and Art Gallery, Preston 45
  9. Problematising Individuals’ Biographies
  10. 4 ‘His Best Successor’: Lady Eastlake and the National Gallery 61
  11. 5 Women, Museums and the Problem of Biography 75
  12. 6 A Curatocracy: Who and What is a V&A Curator? 87
  13. Institutional Biographies
  14. 7 Significant Lives: Telling Stories of Museum Architecture 103
  15. 8 Schinkel’s Museums: Collecting and Displaying Architecture in Berlin, 1844–1933 119
  16. 9 Personifying the Museum: Incorporation and Biography in American Museum History 133
  17. 10 Making an Exhibition of Ourselves 145
  18. 11 Institutional Autobiography and the Architecture of the Art Museum: Restoration and Remembering at the National Gallery in the 1980s 157
  19. Object Biographies
  20. 12 Classifying China: Shifting Interpretations of Buddhist Bronzes in Liverpool Museum, 1867–1997 173
  21. 13 ‘Dressed like an Amazon’: The Transatlantic Trajectory of a Red Feather Coat1 187
  22. 14 Individual, Collective and Institutional Biographies: The Beasley Collection of Pacific Artefacts 201
  23. 15 Sculptural Biographies in an Anthropological Collection: Mrs Milward’s Indian ‘Types’ 215
  24. Museums as Biography
  25. 16 Houses and Things: Literary House Museums as Collective Biography 231
  26. 17 ‘Keepers of the Flame’: Biography, Science and Personality in the Museum 247
  27. 18 National History as Biography: Alexandre Lenoir’s Museum of French Monuments 265
  28. Museums as Autobiography
  29. 19 Autobiographical Museums 279
  30. 20 Who is History? The Use of Autobiographical Accounts in History Museums 295
  31. 21 Community Biographies: Character, Rationale and Significance 309
  32. The Homunculus and the Pantograph, or Narcissus at the Met 321
  33. List of Contributors 327
  34. Index 331
Museums and Biographies
This chapter is in the book Museums and Biographies
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