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14 Individual, Collective and Institutional Biographies: The Beasley Collection of Pacific Artefacts
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Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Introduction: Museums and Biographies – Telling Stories about People, Things and Relationships 1
-
Individual Biography and Museum History
- 1 A Show of Generosity: Donations and the Intimacy of Display in the ‘Cabinet des médailles et antiques’ in Paris from 1830 to 1930 13
- 2 Introducing Mr Moderna Museet: Pontus Hultén and Sweden’s Museum of Modern Art 29
- 3 Sydney Pavière and the Harris Museum and Art Gallery, Preston 45
-
Problematising Individuals’ Biographies
- 4 ‘His Best Successor’: Lady Eastlake and the National Gallery 61
- 5 Women, Museums and the Problem of Biography 75
- 6 A Curatocracy: Who and What is a V&A Curator? 87
-
Institutional Biographies
- 7 Significant Lives: Telling Stories of Museum Architecture 103
- 8 Schinkel’s Museums: Collecting and Displaying Architecture in Berlin, 1844–1933 119
- 9 Personifying the Museum: Incorporation and Biography in American Museum History 133
- 10 Making an Exhibition of Ourselves 145
- 11 Institutional Autobiography and the Architecture of the Art Museum: Restoration and Remembering at the National Gallery in the 1980s 157
-
Object Biographies
- 12 Classifying China: Shifting Interpretations of Buddhist Bronzes in Liverpool Museum, 1867–1997 173
- 13 ‘Dressed like an Amazon’: The Transatlantic Trajectory of a Red Feather Coat1 187
- 14 Individual, Collective and Institutional Biographies: The Beasley Collection of Pacific Artefacts 201
- 15 Sculptural Biographies in an Anthropological Collection: Mrs Milward’s Indian ‘Types’ 215
-
Museums as Biography
- 16 Houses and Things: Literary House Museums as Collective Biography 231
- 17 ‘Keepers of the Flame’: Biography, Science and Personality in the Museum 247
- 18 National History as Biography: Alexandre Lenoir’s Museum of French Monuments 265
-
Museums as Autobiography
- 19 Autobiographical Museums 279
- 20 Who is History? The Use of Autobiographical Accounts in History Museums 295
- 21 Community Biographies: Character, Rationale and Significance 309
- The Homunculus and the Pantograph, or Narcissus at the Met 321
- List of Contributors 327
- Index 331
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Introduction: Museums and Biographies – Telling Stories about People, Things and Relationships 1
-
Individual Biography and Museum History
- 1 A Show of Generosity: Donations and the Intimacy of Display in the ‘Cabinet des médailles et antiques’ in Paris from 1830 to 1930 13
- 2 Introducing Mr Moderna Museet: Pontus Hultén and Sweden’s Museum of Modern Art 29
- 3 Sydney Pavière and the Harris Museum and Art Gallery, Preston 45
-
Problematising Individuals’ Biographies
- 4 ‘His Best Successor’: Lady Eastlake and the National Gallery 61
- 5 Women, Museums and the Problem of Biography 75
- 6 A Curatocracy: Who and What is a V&A Curator? 87
-
Institutional Biographies
- 7 Significant Lives: Telling Stories of Museum Architecture 103
- 8 Schinkel’s Museums: Collecting and Displaying Architecture in Berlin, 1844–1933 119
- 9 Personifying the Museum: Incorporation and Biography in American Museum History 133
- 10 Making an Exhibition of Ourselves 145
- 11 Institutional Autobiography and the Architecture of the Art Museum: Restoration and Remembering at the National Gallery in the 1980s 157
-
Object Biographies
- 12 Classifying China: Shifting Interpretations of Buddhist Bronzes in Liverpool Museum, 1867–1997 173
- 13 ‘Dressed like an Amazon’: The Transatlantic Trajectory of a Red Feather Coat1 187
- 14 Individual, Collective and Institutional Biographies: The Beasley Collection of Pacific Artefacts 201
- 15 Sculptural Biographies in an Anthropological Collection: Mrs Milward’s Indian ‘Types’ 215
-
Museums as Biography
- 16 Houses and Things: Literary House Museums as Collective Biography 231
- 17 ‘Keepers of the Flame’: Biography, Science and Personality in the Museum 247
- 18 National History as Biography: Alexandre Lenoir’s Museum of French Monuments 265
-
Museums as Autobiography
- 19 Autobiographical Museums 279
- 20 Who is History? The Use of Autobiographical Accounts in History Museums 295
- 21 Community Biographies: Character, Rationale and Significance 309
- The Homunculus and the Pantograph, or Narcissus at the Met 321
- List of Contributors 327
- Index 331