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III Why Arthur at all? The Dubious Arthuricity of Arthur and Gorlagon
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Amanda Hopkins
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Chapters in this book
- Frontmatter i
- CONTENTS v
- General Editors’ Foreword vii
- List of Contributors ix
- I Introduction to the Morte Darthur, Parts 7 and 8 1
- II Malory’s Text of the Suite du Merlin 39
- III Why Arthur at all? The Dubious Arthuricity of Arthur and Gorlagon 77
- IV The Aesthetics of Communication: Sterility and Fertility in the Conte del Graal Cycle 97
- V ‘Whyche thyng semeth not to agree with other histories ...’: Rome in Geoffrey of Monmouth and his early modern readers 109
- VI Arthurian Texts in their Historical and Social Context 131
- VII The Post-Christian Arthur 149
- VIII The Arthurian Legend in Literature, Popular Culture and the Performing Arts, 2004–2008 171
Chapters in this book
- Frontmatter i
- CONTENTS v
- General Editors’ Foreword vii
- List of Contributors ix
- I Introduction to the Morte Darthur, Parts 7 and 8 1
- II Malory’s Text of the Suite du Merlin 39
- III Why Arthur at all? The Dubious Arthuricity of Arthur and Gorlagon 77
- IV The Aesthetics of Communication: Sterility and Fertility in the Conte del Graal Cycle 97
- V ‘Whyche thyng semeth not to agree with other histories ...’: Rome in Geoffrey of Monmouth and his early modern readers 109
- VI Arthurian Texts in their Historical and Social Context 131
- VII The Post-Christian Arthur 149
- VIII The Arthurian Legend in Literature, Popular Culture and the Performing Arts, 2004–2008 171