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Abbreviations
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures viii
- List of Music Examples ix
- List of Tables x
- Preface xi
- Contributors xiii
- Abbreviations xviii
-
Prologue
- Laudatio 1
- Introduction 4
-
I Music in Theory and Practice
- 1 Anonymous Arabic Treatises on Music: Lost Legacies, Hidden Answers 11
- 2 Compositional Practices in Trecento Music: Model Books and Musical Traditions 24
- 3 Trompetta and Concordans Parts in the Early Fifteenth Century 38
- 4 Recording for Posterity: Some Reflections on the Memorialising of Early Renaissance Music 74
- 5 How to Sin in Music: Doctor Navarrus on Sixteenth-Century Singers 86
-
II Art and Social Process: Music in Court and Urban Societies
- 6 Traditions and Practices in Fifteenth- and Sixteenth-Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment 105
- 7 ‘The City Full of Grief ’: Music for the Exequies of King Philip II 119
- 8 Giovanni Alberto Ristori and his Serenate at the Polish Court of Augustus III, 1735–1746 139
- 9 ‘Cantate, que me veux-tu?’ or: Do Handel’s Cantatas Matter? 159
- 10 Two Köchel Numbers, One Work 185
-
III Creating an Opera Industry
- 11 Identity and Poetic Style: The Case of Rosmene by Giuseppe Domenico de Totis 199
- 12 How Operatic is Vivaldi’s Juditha triumphans? 214
- 13 Venice and the East: Operatic Readings of Tasso’s Armida in Early Eighteenth-Century Venice 232
- 14 Literary Motifs in Metastasio’s and Jommelli’s Ciro riconosciuto 250
- 15 Producing Stars in Dramma per musica 275
- 16 The Pre-revolutionary Origins of ‘Terrorisme musical’ 294
- 17 Pieces into Works: Cherubini’s Substitute Arias for the Théâtre Feydeau 312
- 18 At the Tavern with Manzoni and Verdi: I promessi sposi and the Dramaturgy of La forza del destino 336
-
IV The Crisis of Modernity
- 19 The Acoustic Proximity of Temporal Distance: Auratic Sonority in Mahler’s Lieder eines fahrenden Gesellen 355
- 20 Creating a Concept of ‘Nazi Musicology’ 374
- 21 Et in Arcadia adhuc: Observations on the Continuing Evolution of the ‘Pastoral Idea’ 391
-
Epilogue
- Reinhard Strohm: List of Publications 415
- Index 431
- Tabula Gratulatoria 444
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures viii
- List of Music Examples ix
- List of Tables x
- Preface xi
- Contributors xiii
- Abbreviations xviii
-
Prologue
- Laudatio 1
- Introduction 4
-
I Music in Theory and Practice
- 1 Anonymous Arabic Treatises on Music: Lost Legacies, Hidden Answers 11
- 2 Compositional Practices in Trecento Music: Model Books and Musical Traditions 24
- 3 Trompetta and Concordans Parts in the Early Fifteenth Century 38
- 4 Recording for Posterity: Some Reflections on the Memorialising of Early Renaissance Music 74
- 5 How to Sin in Music: Doctor Navarrus on Sixteenth-Century Singers 86
-
II Art and Social Process: Music in Court and Urban Societies
- 6 Traditions and Practices in Fifteenth- and Sixteenth-Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment 105
- 7 ‘The City Full of Grief ’: Music for the Exequies of King Philip II 119
- 8 Giovanni Alberto Ristori and his Serenate at the Polish Court of Augustus III, 1735–1746 139
- 9 ‘Cantate, que me veux-tu?’ or: Do Handel’s Cantatas Matter? 159
- 10 Two Köchel Numbers, One Work 185
-
III Creating an Opera Industry
- 11 Identity and Poetic Style: The Case of Rosmene by Giuseppe Domenico de Totis 199
- 12 How Operatic is Vivaldi’s Juditha triumphans? 214
- 13 Venice and the East: Operatic Readings of Tasso’s Armida in Early Eighteenth-Century Venice 232
- 14 Literary Motifs in Metastasio’s and Jommelli’s Ciro riconosciuto 250
- 15 Producing Stars in Dramma per musica 275
- 16 The Pre-revolutionary Origins of ‘Terrorisme musical’ 294
- 17 Pieces into Works: Cherubini’s Substitute Arias for the Théâtre Feydeau 312
- 18 At the Tavern with Manzoni and Verdi: I promessi sposi and the Dramaturgy of La forza del destino 336
-
IV The Crisis of Modernity
- 19 The Acoustic Proximity of Temporal Distance: Auratic Sonority in Mahler’s Lieder eines fahrenden Gesellen 355
- 20 Creating a Concept of ‘Nazi Musicology’ 374
- 21 Et in Arcadia adhuc: Observations on the Continuing Evolution of the ‘Pastoral Idea’ 391
-
Epilogue
- Reinhard Strohm: List of Publications 415
- Index 431
- Tabula Gratulatoria 444