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© 2007, Boydell and Brewer

© 2007, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. List of Figures viii
  4. List of Music Examples ix
  5. List of Tables x
  6. Preface xi
  7. Contributors xiii
  8. Abbreviations xviii
  9. Prologue
  10. Laudatio 1
  11. Introduction 4
  12. I Music in Theory and Practice
  13. 1 Anonymous Arabic Treatises on Music: Lost Legacies, Hidden Answers 11
  14. 2 Compositional Practices in Trecento Music: Model Books and Musical Traditions 24
  15. 3 Trompetta and Concordans Parts in the Early Fifteenth Century 38
  16. 4 Recording for Posterity: Some Reflections on the Memorialising of Early Renaissance Music 74
  17. 5 How to Sin in Music: Doctor Navarrus on Sixteenth-Century Singers 86
  18. II Art and Social Process: Music in Court and Urban Societies
  19. 6 Traditions and Practices in Fifteenth- and Sixteenth-Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment 105
  20. 7 ‘The City Full of Grief ’: Music for the Exequies of King Philip II 119
  21. 8 Giovanni Alberto Ristori and his Serenate at the Polish Court of Augustus III, 1735–1746 139
  22. 9 ‘Cantate, que me veux-tu?’ or: Do Handel’s Cantatas Matter? 159
  23. 10 Two Köchel Numbers, One Work 185
  24. III Creating an Opera Industry
  25. 11 Identity and Poetic Style: The Case of Rosmene by Giuseppe Domenico de Totis 199
  26. 12 How Operatic is Vivaldi’s Juditha triumphans? 214
  27. 13 Venice and the East: Operatic Readings of Tasso’s Armida in Early Eighteenth-Century Venice 232
  28. 14 Literary Motifs in Metastasio’s and Jommelli’s Ciro riconosciuto 250
  29. 15 Producing Stars in Dramma per musica 275
  30. 16 The Pre-revolutionary Origins of ‘Terrorisme musical’ 294
  31. 17 Pieces into Works: Cherubini’s Substitute Arias for the Théâtre Feydeau 312
  32. 18 At the Tavern with Manzoni and Verdi: I promessi sposi and the Dramaturgy of La forza del destino 336
  33. IV The Crisis of Modernity
  34. 19 The Acoustic Proximity of Temporal Distance: Auratic Sonority in Mahler’s Lieder eines fahrenden Gesellen 355
  35. 20 Creating a Concept of ‘Nazi Musicology’ 374
  36. 21 Et in Arcadia adhuc: Observations on the Continuing Evolution of the ‘Pastoral Idea’ 391
  37. Epilogue
  38. Reinhard Strohm: List of Publications 415
  39. Index 431
  40. Tabula Gratulatoria 444
Music as Social and Cultural Practice
This chapter is in the book Music as Social and Cultural Practice
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