Kapitel
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Conclusion: The Good German and the Good of Nostalgia
-
Christine Sprengler
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgements ix
- Introduction 1
- Chapter 1 Setting the Stage: The History of Nostalgia 11
- Chapter 2 The Fifties: Nostalgia’s Privileged Object and the Origins of its Dominant American Strain 39
- Chapter 3 The Nostalgia Film in Practice and Theory 67
- Chapter 4 Sin City: Reading the Tails of a Populuxe Prop 93
- Chapter 5 Far From Heaven: Creative Agency, Social History and the Expressive Potential of Costume 117
- Chapter 6 The Aviator: Deliberate Archaism, Technicolor Aesthetics and Style as Substance 139
- Conclusion: The Good German and the Good of Nostalgia 163
- Filmography 175
- References 181
- Index 191
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgements ix
- Introduction 1
- Chapter 1 Setting the Stage: The History of Nostalgia 11
- Chapter 2 The Fifties: Nostalgia’s Privileged Object and the Origins of its Dominant American Strain 39
- Chapter 3 The Nostalgia Film in Practice and Theory 67
- Chapter 4 Sin City: Reading the Tails of a Populuxe Prop 93
- Chapter 5 Far From Heaven: Creative Agency, Social History and the Expressive Potential of Costume 117
- Chapter 6 The Aviator: Deliberate Archaism, Technicolor Aesthetics and Style as Substance 139
- Conclusion: The Good German and the Good of Nostalgia 163
- Filmography 175
- References 181
- Index 191