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8 From Musician to Mother: Parenthood Ideologies and Gendered Prejudices
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Joanne Cusack
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- List of Illustrations viii
- Foreword xi
- Preface xiii
- Acknowledgements xvi
- Content Warning xviii
- Introduction 1
- 1 Mná na hÉireann: Women, Colonialism, and the Catholic Church 12
- 2 Mná an Cheoil: Echoes of the Past 34
- 3 Passing the Baton: A Woman’s Heart and the Communal Voice for Women 57
- 4 “Celtic Fairies” and the “Commercial Bankable Formula” 79
- 5 (Re)shaping Image and Performance in Commercial Irish Dance Shows 106
- 6 Changes between Society and Scene: Legislative Developments, Activism, and Festival Line-Ups 146
- 7 Performing in the Boys’ Club 167
- 8 From Musician to Mother: Parenthood Ideologies and Gendered Prejudices 214
- Afterword 234
- Bibliography 241
- Index 281
Chapters in this book
- Frontmatter i
- CONTENTS vii
- List of Illustrations viii
- Foreword xi
- Preface xiii
- Acknowledgements xvi
- Content Warning xviii
- Introduction 1
- 1 Mná na hÉireann: Women, Colonialism, and the Catholic Church 12
- 2 Mná an Cheoil: Echoes of the Past 34
- 3 Passing the Baton: A Woman’s Heart and the Communal Voice for Women 57
- 4 “Celtic Fairies” and the “Commercial Bankable Formula” 79
- 5 (Re)shaping Image and Performance in Commercial Irish Dance Shows 106
- 6 Changes between Society and Scene: Legislative Developments, Activism, and Festival Line-Ups 146
- 7 Performing in the Boys’ Club 167
- 8 From Musician to Mother: Parenthood Ideologies and Gendered Prejudices 214
- Afterword 234
- Bibliography 241
- Index 281