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Chapters in this book
- Frontmatter i
- Contents vii
- Abbreviations of Frequently Cited Works ix
- Introduction: Stifter’s Life and Works 1
-
Part I: Genre and Style
- 1: Stifter’s Epic Style 37
- 2: Stifter and the Genre Conventions of Cultural Journalism 58
- 3: All Eyes on the Streets: Transformations of Public Work, Leisure, and Ritual in Wien und die Wiener 86
- 4: Stifter’s Late Style 110
-
Part II: Texts and Contexts
- 5: The Birth of Realism out of the Spirit of Melodrama: Stifter’s Feldblumen 137
- 6 Backward Glances: Registers of the Past in Stifter’s Die Mappe meines Urgroßvaters 162
- 7 Lessons from Stifter’s Bunte Steine 181
- 8 Absence and Omnipresence: On the Significance of Waste in Stifter’s Der Nachsommer 200
-
Part III: Elements and Environments
- 9 Stifter’s Stones 227
- 10 Stifter’s Glaciers 250
- 11 Cheerful Terror: Stifter and the Aesthetics of Atmosphere 273
- 12 Stifter’s Bavarian-Bohemian Bioregionalism 294
- Selected Bibliography 323
- List of Contributors 337
- Index 341
Chapters in this book
- Frontmatter i
- Contents vii
- Abbreviations of Frequently Cited Works ix
- Introduction: Stifter’s Life and Works 1
-
Part I: Genre and Style
- 1: Stifter’s Epic Style 37
- 2: Stifter and the Genre Conventions of Cultural Journalism 58
- 3: All Eyes on the Streets: Transformations of Public Work, Leisure, and Ritual in Wien und die Wiener 86
- 4: Stifter’s Late Style 110
-
Part II: Texts and Contexts
- 5: The Birth of Realism out of the Spirit of Melodrama: Stifter’s Feldblumen 137
- 6 Backward Glances: Registers of the Past in Stifter’s Die Mappe meines Urgroßvaters 162
- 7 Lessons from Stifter’s Bunte Steine 181
- 8 Absence and Omnipresence: On the Significance of Waste in Stifter’s Der Nachsommer 200
-
Part III: Elements and Environments
- 9 Stifter’s Stones 227
- 10 Stifter’s Glaciers 250
- 11 Cheerful Terror: Stifter and the Aesthetics of Atmosphere 273
- 12 Stifter’s Bavarian-Bohemian Bioregionalism 294
- Selected Bibliography 323
- List of Contributors 337
- Index 341